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1 ‘The porter into forgotten landscapes’
A finger in the fishes mouth
Abstract
Chapter 1 explores Derek Jarman's first book A finger in the fishes mouth, a chapbook containing poems dating back to his student years. It considers the book’s postcard-poem form and reflects on its engagement with history, conceived of as existing in a perpetual present, as well as its coded autobiographical content.
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Abstract
Chapter 1 explores Derek Jarman's first book A finger in the fishes mouth, a chapbook containing poems dating back to his student years. It considers the book’s postcard-poem form and reflects on its engagement with history, conceived of as existing in a perpetual present, as well as its coded autobiographical content.
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Kapitel in diesem Buch
- Front Matter i
- Dedication v
- Contents vii
- Illustrations viii
- Acknowledgements xii
- Introduction 1
- 1 ‘The porter into forgotten landscapes’ 30
- 2 Dancing Ledge 40
- 3 Derek Jarman’s Caravaggio 58
- 4 Becoming Pasolini 79
- 5 Kicking the Pricks 87
- 6 Self-projection in film 104
- 7 Modern Nature 129
- 8 Queer Edward II 149
- 9 At Your Own Risk 166
- 10 Smiling in Slow Motion 183
- 11 ‘A kind of bliss’ 196
- 12 Derek Jarman’s Garden 213
- Conclusion 223
- Bibliography 228
- Filmography 251
- Index 253
- Color Plates 258
Kapitel in diesem Buch
- Front Matter i
- Dedication v
- Contents vii
- Illustrations viii
- Acknowledgements xii
- Introduction 1
- 1 ‘The porter into forgotten landscapes’ 30
- 2 Dancing Ledge 40
- 3 Derek Jarman’s Caravaggio 58
- 4 Becoming Pasolini 79
- 5 Kicking the Pricks 87
- 6 Self-projection in film 104
- 7 Modern Nature 129
- 8 Queer Edward II 149
- 9 At Your Own Risk 166
- 10 Smiling in Slow Motion 183
- 11 ‘A kind of bliss’ 196
- 12 Derek Jarman’s Garden 213
- Conclusion 223
- Bibliography 228
- Filmography 251
- Index 253
- Color Plates 258
