3 ‘Master Jonathan’ in Cuba
-
Albert D. Pionke
Abstract
This chapter offers a case study of political cartoons treating US foreign policy towards Cuba that appeared in Punch between 1840 and 1859. Drawing clear linkages with the development of the novel – and the Bildungsroman form – the chapter observes in Punch’s commentary on American imperialism a complex series of developments. Using the character of ‘Master Jonathan’, British cartoonists personified the United States as a problematic youth whose upstart and mercenary national ambitions threatened both the welfare of the Cuban people and the national interest of his personified parent, Great Britain, in a variety of domains. The case study has much to tell us about both an important episode in nineteenth-century colonial history and the power of literary form, broadly construed, in shaping the political and ideological operations of culture.
Abstract
This chapter offers a case study of political cartoons treating US foreign policy towards Cuba that appeared in Punch between 1840 and 1859. Drawing clear linkages with the development of the novel – and the Bildungsroman form – the chapter observes in Punch’s commentary on American imperialism a complex series of developments. Using the character of ‘Master Jonathan’, British cartoonists personified the United States as a problematic youth whose upstart and mercenary national ambitions threatened both the welfare of the Cuban people and the national interest of his personified parent, Great Britain, in a variety of domains. The case study has much to tell us about both an important episode in nineteenth-century colonial history and the power of literary form, broadly construed, in shaping the political and ideological operations of culture.
Kapitel in diesem Buch
- Front matter i
- Contents v
- List of figures vii
- List of contributors xvi
- Acknowledgements xxi
- 1 Introduction 1
-
PART I: High imperialism and colonialism
- 2 Courting the colonies 31
- 3 ‘Master Jonathan’ in Cuba 66
- 4 ‘The international Siamese twins’ 92
- 5 ‘“Every dog” (no distinction of color) “has his day”’ 134
-
PART II: The critique of empire and the context of decolonisation
- 6 The making of harmony and war, from New Year Prints to propaganda cartoons during China’s Second Sino-Japanese War 161
- 7 David Low and India 192
- 8 Between imagined and ‘real’ 216
- 9 The iconography of decolonisation in the cartoons of the Suez Crisis, 1956 242
- 10 Punch and the Cyprus emergency, 1955–1959 277
-
PART III: Ambiguities of empire
- 11 Outrage and imperialism, confusion and indifference 305
- 12 Ambiguities in the fight waged by the socialist satirical review Der Wahre Jacob against militarism and imperialism 334
- 13 The ‘confounded socialists’ and the ‘Commonwealth Co-operative Society’ 362
- 14 Australian cartoonists at the end of empire 393
- Index 426
Kapitel in diesem Buch
- Front matter i
- Contents v
- List of figures vii
- List of contributors xvi
- Acknowledgements xxi
- 1 Introduction 1
-
PART I: High imperialism and colonialism
- 2 Courting the colonies 31
- 3 ‘Master Jonathan’ in Cuba 66
- 4 ‘The international Siamese twins’ 92
- 5 ‘“Every dog” (no distinction of color) “has his day”’ 134
-
PART II: The critique of empire and the context of decolonisation
- 6 The making of harmony and war, from New Year Prints to propaganda cartoons during China’s Second Sino-Japanese War 161
- 7 David Low and India 192
- 8 Between imagined and ‘real’ 216
- 9 The iconography of decolonisation in the cartoons of the Suez Crisis, 1956 242
- 10 Punch and the Cyprus emergency, 1955–1959 277
-
PART III: Ambiguities of empire
- 11 Outrage and imperialism, confusion and indifference 305
- 12 Ambiguities in the fight waged by the socialist satirical review Der Wahre Jacob against militarism and imperialism 334
- 13 The ‘confounded socialists’ and the ‘Commonwealth Co-operative Society’ 362
- 14 Australian cartoonists at the end of empire 393
- Index 426
