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1 Introduction

Screening French literature
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Abstract

This chapter surveys the general history of the adaptation of French literary texts by filmmakers working within the French, British, and American national cinemas, beginning with the silent cinema. Periods covered include the early sound era, the French New Wave, classic Hollywood, and the British heritage cycle.

Abstract

This chapter surveys the general history of the adaptation of French literary texts by filmmakers working within the French, British, and American national cinemas, beginning with the silent cinema. Periods covered include the early sound era, the French New Wave, classic Hollywood, and the British heritage cycle.

Kapitel in diesem Buch

  1. Front matter i
  2. Dedication v
  3. Contents vii
  4. List of illustrations ix
  5. Notes on contributors xi
  6. Acknowledgements xiv
  7. 1 Introduction 1
  8. 2 The spectacle of Monte Cristo 12
  9. 3 Adultery and adulteration in film versions of Flaubert’s Madame Bovary 32
  10. 4 For the first time on screen together 48
  11. 5 The Americanization of Victor Hugo 72
  12. 6 From heterotopia to metatopia 90
  13. 7 From the Recherche on film toward a Proustian cinema 107
  14. 8 Otto Preminger’s Bonjour, Tristesse 130
  15. 9 Adapting Pagnol and Provence 150
  16. 10 Maigret on screen 165
  17. 11 The making and remaking of Thérèse Desqueyroux 183
  18. 12 Elle (2016), rape, and adaptation 211
  19. Select bibliography 230
  20. Index 241
French literature on screen
Ein Kapitel aus dem Buch French literature on screen
https://doi.org/10.7765/9781526133151.00007

Kapitel in diesem Buch

  1. Front matter i
  2. Dedication v
  3. Contents vii
  4. List of illustrations ix
  5. Notes on contributors xi
  6. Acknowledgements xiv
  7. 1 Introduction 1
  8. 2 The spectacle of Monte Cristo 12
  9. 3 Adultery and adulteration in film versions of Flaubert’s Madame Bovary 32
  10. 4 For the first time on screen together 48
  11. 5 The Americanization of Victor Hugo 72
  12. 6 From heterotopia to metatopia 90
  13. 7 From the Recherche on film toward a Proustian cinema 107
  14. 8 Otto Preminger’s Bonjour, Tristesse 130
  15. 9 Adapting Pagnol and Provence 150
  16. 10 Maigret on screen 165
  17. 11 The making and remaking of Thérèse Desqueyroux 183
  18. 12 Elle (2016), rape, and adaptation 211
  19. Select bibliography 230
  20. Index 241
Heruntergeladen am 17.4.2026 von https://www.degruyterbrill.com/document/doi/10.7765/9781526133151.00007/html
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