Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. List of Plates ix
4. Acknowledgments: Four Labyrinths xi
5. Abbreviations xvii
6. Introduction: Charting the Maze 1
7. PART ONE. The Labyrinth in the Classical and Early Christian Periods
8. CHAPTER ONE. The Literary Witness: Labyrinths in Pliny, Virgil, and Ovid 17
9. CHAPTER.TWO. The Labyrinth as Significant Form: Two Paradigms 39
10. CHAPTER THREE. A Taxonomy of Metaphorical Labyrinths 64
11. PART TWO. The Labyrinth in the Middle Ages
12. CHAPTER FOUR. Etymologies and Verbal Implications 95
13. CHAPTER FIVE. Mazes in Medieval Art and Architecture 101
14. CHAPTER SIX. Moral Labyrinths in Medieval Literature 145
15. CHAPTER SEVEN. Textual Labyrinths: Toward a Labyrinthine Aesthetic 192
16. PART THREE. Labyrinths of Words: Central Texts and I ntertextualities
17. CHAPTER EIGHT. Virgil’s Aeneid 227
18. CHAPTER NINE. Boethius’s Consolation of Philosophy 254
19. CHAPTER TEN. Dante’s Divine Comedy 271
20. CHAPTER ELEVEN. Chaucer’s House of Fame 307
21. APPENDIX. Labyrinths in Manuscripts 341
22. Index 343