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11. Voice and the Opening of Closed Systems
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Kapitel in diesem Buch
- Frontmatter 1
- Contents 7
- Preface 9
-
I. CLEAVAGE AND GROWTH
- 1. Transformations of the Word and Alienation 17
-
II. THE SEQUESTRATION OF VOICE
- 2. The Writer's Audience Is Always a Fiction 53
- 3. Media Transformation: The Talked Book 82
- 4. African Talking Drums and Oral Noetics 92
- 5. "I See What You Say": Sense Analogues for Intellect 121
-
III. CLOSURE AND PRINT
- 6. Typographic Rhapsody: Ravisius Textor, Zwinger, and Shakespeare 147
- 7. From Epithet to Logic: Miltonic Epic and the Closure of Existence 189
- 8. The Poem as a Closed Field: The Once New Criticism and the Nature of Literature 213
- 9. Maranatha: Death and Life in the Text of the Book 230
- 10. From Mimesis to Irony: Writing and Print as Integuments of Voice 272
-
IV. PRESENT AND FUTURE
- 11. Voice and the Opening of Closed Systems 305
- Index 343
Kapitel in diesem Buch
- Frontmatter 1
- Contents 7
- Preface 9
-
I. CLEAVAGE AND GROWTH
- 1. Transformations of the Word and Alienation 17
-
II. THE SEQUESTRATION OF VOICE
- 2. The Writer's Audience Is Always a Fiction 53
- 3. Media Transformation: The Talked Book 82
- 4. African Talking Drums and Oral Noetics 92
- 5. "I See What You Say": Sense Analogues for Intellect 121
-
III. CLOSURE AND PRINT
- 6. Typographic Rhapsody: Ravisius Textor, Zwinger, and Shakespeare 147
- 7. From Epithet to Logic: Miltonic Epic and the Closure of Existence 189
- 8. The Poem as a Closed Field: The Once New Criticism and the Nature of Literature 213
- 9. Maranatha: Death and Life in the Text of the Book 230
- 10. From Mimesis to Irony: Writing and Print as Integuments of Voice 272
-
IV. PRESENT AND FUTURE
- 11. Voice and the Opening of Closed Systems 305
- Index 343