Introduction: Hollywood’s Red Scare

John Sbardellati

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Introduction: Hollywood’s Red Scare

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APA
Harvard
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Sbardellati, John. "Introduction: Hollywood’s Red Scare". J. Edgar Hoover Goes to the Movies: The FBI and the Origins of Hollywood's Cold War, Ithaca, NY: Cornell University Press, 2012, pp. 1-8. https://doi.org/10.7591/9780801464218-002

Sbardellati, J. (2012). Introduction: Hollywood’s Red Scare. In J. Edgar Hoover Goes to the Movies: The FBI and the Origins of Hollywood's Cold War (pp. 1-8). Ithaca, NY: Cornell University Press. https://doi.org/10.7591/9780801464218-002

Sbardellati, J. 2012. Introduction: Hollywood’s Red Scare. J. Edgar Hoover Goes to the Movies: The FBI and the Origins of Hollywood's Cold War. Ithaca, NY: Cornell University Press, pp. 1-8. https://doi.org/10.7591/9780801464218-002

Sbardellati, John. "Introduction: Hollywood’s Red Scare" In J. Edgar Hoover Goes to the Movies: The FBI and the Origins of Hollywood's Cold War, 1-8. Ithaca, NY: Cornell University Press, 2012. https://doi.org/10.7591/9780801464218-002

Sbardellati J. Introduction: Hollywood’s Red Scare. In: J. Edgar Hoover Goes to the Movies: The FBI and the Origins of Hollywood's Cold War. Ithaca, NY: Cornell University Press; 2012. p.1-8. https://doi.org/10.7591/9780801464218-002

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Frontmatter i
Contents v
Acknowledgments vii
Introduction: Hollywood’s Red Scare 1
1. A Movie Problem 9
2. The FBI’s Search for Communist Propaganda during the Second World War 41
3. Producing Hollywood’s Cold War 69
4. The Coalescence of a Countersubversive Network 106
5. The 1947 HUAC Trials 131
6. Rollback 159
Conclusion: Three Perspectives on the Death of the Social Problem Film 184
Appendix: Analysis of Motion Pictures Containing Propaganda: An FBI Filmography of Suspect Movies 197
Notes 209
Index 247

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https://doi.org/10.7591/9780801464218-002

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Frontmatter i
Contents v
Acknowledgments vii
Introduction: Hollywood’s Red Scare 1
1. A Movie Problem 9
2. The FBI’s Search for Communist Propaganda during the Second World War 41
3. Producing Hollywood’s Cold War 69
4. The Coalescence of a Countersubversive Network 106
5. The 1947 HUAC Trials 131
6. Rollback 159
Conclusion: Three Perspectives on the Death of the Social Problem Film 184
Appendix: Analysis of Motion Pictures Containing Propaganda: An FBI Filmography of Suspect Movies 197
Notes 209
Index 247

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Introduction: Hollywood’s Red Scare

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