9. Toward a Semiotics of Music

Henry Orlov

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9. Toward a Semiotics of Music

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Orlov, Henry. "9. Toward a Semiotics of Music". The Sign in Music and Literature, edited by Wendy Steiner, New York, USA: University of Texas Press, 1981, pp. 131-137. https://doi.org/10.7560/775633-009

Orlov, H. (1981). 9. Toward a Semiotics of Music. In W. Steiner (Ed.), The Sign in Music and Literature (pp. 131-137). New York, USA: University of Texas Press. https://doi.org/10.7560/775633-009

Orlov, H. 1981. 9. Toward a Semiotics of Music. In: Steiner, W. ed. The Sign in Music and Literature. New York, USA: University of Texas Press, pp. 131-137. https://doi.org/10.7560/775633-009

Orlov, Henry. "9. Toward a Semiotics of Music" In The Sign in Music and Literature edited by Wendy Steiner, 131-137. New York, USA: University of Texas Press, 1981. https://doi.org/10.7560/775633-009

Orlov H. 9. Toward a Semiotics of Music. In: Steiner W (ed.) The Sign in Music and Literature. New York, USA: University of Texas Press; 1981. p.131-137. https://doi.org/10.7560/775633-009

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Chapters in this book

Frontmatter i
Contents v
1. Introduction 1
2. The Structure of Semiotic Objects: A Three-Dimensional Model 11
3. How Do We Establish New Codes of Verisimilitude? 26
4. Intratextual Rewriting: Textuality as Language Formation 39
5. Inside Greimas's Square: Literary Characters and Cultural Constraints 52
6. Semantic Oscillation: A Universal of Artistic Expression 67
7. The Literary Artifact 86
8. Typography, Rhymes, and Linguistic Structures in Poetry 103
9. Toward a Semiotics of Music 131
10. Two Views of Musical Semiotics 138
11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure 169
12. The Problem of "Ethnic" Perceptions in the Semiotics of Music 184
13. Technique and Signification in the Twelve-Tone Method 195
14. A Musical Icon: Power and Meaning in Javanese Gamelan Music 203
15. Preliminaries to a Semiotics of Ballet 216
Bibliography 229

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https://doi.org/10.7560/775633-009

Chapters in this book

Frontmatter i
Contents v
1. Introduction 1
2. The Structure of Semiotic Objects: A Three-Dimensional Model 11
3. How Do We Establish New Codes of Verisimilitude? 26
4. Intratextual Rewriting: Textuality as Language Formation 39
5. Inside Greimas's Square: Literary Characters and Cultural Constraints 52
6. Semantic Oscillation: A Universal of Artistic Expression 67
7. The Literary Artifact 86
8. Typography, Rhymes, and Linguistic Structures in Poetry 103
9. Toward a Semiotics of Music 131
10. Two Views of Musical Semiotics 138
11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure 169
12. The Problem of "Ethnic" Perceptions in the Semiotics of Music 184
13. Technique and Signification in the Twelve-Tone Method 195
14. A Musical Icon: Power and Meaning in Javanese Gamelan Music 203
15. Preliminaries to a Semiotics of Ballet 216
Bibliography 229

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9. Toward a Semiotics of Music

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