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3. How Do We Establish New Codes of Verisimilitude?
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Chapters in this book
- Frontmatter i
- Contents v
- 1. Introduction 1
- 2. The Structure of Semiotic Objects: A Three-Dimensional Model 11
- 3. How Do We Establish New Codes of Verisimilitude? 26
- 4. Intratextual Rewriting: Textuality as Language Formation 39
- 5. Inside Greimas's Square: Literary Characters and Cultural Constraints 52
- 6. Semantic Oscillation: A Universal of Artistic Expression 67
- 7. The Literary Artifact 86
- 8. Typography, Rhymes, and Linguistic Structures in Poetry 103
- 9. Toward a Semiotics of Music 131
- 10. Two Views of Musical Semiotics 138
- 11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure 169
- 12. The Problem of "Ethnic" Perceptions in the Semiotics of Music 184
- 13. Technique and Signification in the Twelve-Tone Method 195
- 14. A Musical Icon: Power and Meaning in Javanese Gamelan Music 203
- 15. Preliminaries to a Semiotics of Ballet 216
- Bibliography 229
Chapters in this book
- Frontmatter i
- Contents v
- 1. Introduction 1
- 2. The Structure of Semiotic Objects: A Three-Dimensional Model 11
- 3. How Do We Establish New Codes of Verisimilitude? 26
- 4. Intratextual Rewriting: Textuality as Language Formation 39
- 5. Inside Greimas's Square: Literary Characters and Cultural Constraints 52
- 6. Semantic Oscillation: A Universal of Artistic Expression 67
- 7. The Literary Artifact 86
- 8. Typography, Rhymes, and Linguistic Structures in Poetry 103
- 9. Toward a Semiotics of Music 131
- 10. Two Views of Musical Semiotics 138
- 11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure 169
- 12. The Problem of "Ethnic" Perceptions in the Semiotics of Music 184
- 13. Technique and Signification in the Twelve-Tone Method 195
- 14. A Musical Icon: Power and Meaning in Javanese Gamelan Music 203
- 15. Preliminaries to a Semiotics of Ballet 216
- Bibliography 229
