Presented to you through Paradigm Publishing Services
University of Texas Press
Chapter
Licensed
Unlicensed
Requires Authentication
INTRODUCTION “I Can See Clearly Now”
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- INTRODUCTION “I Can See Clearly Now” 1
- 1 “SOMETHING’S CROSSED OVER IN ME” New Ways of Seeing Thelma & Louise 7
- 2 GETTING HYSTERICAL Thelma & Louise and Laughter 43
- 3 HEARING THELMA & LOUISE Active Reading of the Hybrid Pop Score 65
- 4 INTERPLAYING IDENTITIES Acting and the Building Blocks of Character in Thelma & Louise 91
- 5 AN OUTLAW-COUPLE-ON-THE-RUN FILM FOR THE 1990S 122
- 6 “WHAT ALL THE FUSS IS ABOUT” Making Brad Pitt in Thelma & Louise 146
- 7 INTERVIEW WITH CALLIE KHOURI December 19, 2002 168
- APPENDIX I Commentaries 191
- APPENDIX II Filmographies 205
- SELECTED BIBLIOGRAPHY 213
- CONTRIBUTORS 217
- INDEX 219
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- INTRODUCTION “I Can See Clearly Now” 1
- 1 “SOMETHING’S CROSSED OVER IN ME” New Ways of Seeing Thelma & Louise 7
- 2 GETTING HYSTERICAL Thelma & Louise and Laughter 43
- 3 HEARING THELMA & LOUISE Active Reading of the Hybrid Pop Score 65
- 4 INTERPLAYING IDENTITIES Acting and the Building Blocks of Character in Thelma & Louise 91
- 5 AN OUTLAW-COUPLE-ON-THE-RUN FILM FOR THE 1990S 122
- 6 “WHAT ALL THE FUSS IS ABOUT” Making Brad Pitt in Thelma & Louise 146
- 7 INTERVIEW WITH CALLIE KHOURI December 19, 2002 168
- APPENDIX I Commentaries 191
- APPENDIX II Filmographies 205
- SELECTED BIBLIOGRAPHY 213
- CONTRIBUTORS 217
- INDEX 219