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2 GETTING HYSTERICAL Thelma & Louise and Laughter
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Victoria Sturtevant
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- INTRODUCTION “I Can See Clearly Now” 1
- 1 “SOMETHING’S CROSSED OVER IN ME” New Ways of Seeing Thelma & Louise 7
- 2 GETTING HYSTERICAL Thelma & Louise and Laughter 43
- 3 HEARING THELMA & LOUISE Active Reading of the Hybrid Pop Score 65
- 4 INTERPLAYING IDENTITIES Acting and the Building Blocks of Character in Thelma & Louise 91
- 5 AN OUTLAW-COUPLE-ON-THE-RUN FILM FOR THE 1990S 122
- 6 “WHAT ALL THE FUSS IS ABOUT” Making Brad Pitt in Thelma & Louise 146
- 7 INTERVIEW WITH CALLIE KHOURI December 19, 2002 168
- APPENDIX I Commentaries 191
- APPENDIX II Filmographies 205
- SELECTED BIBLIOGRAPHY 213
- CONTRIBUTORS 217
- INDEX 219
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- INTRODUCTION “I Can See Clearly Now” 1
- 1 “SOMETHING’S CROSSED OVER IN ME” New Ways of Seeing Thelma & Louise 7
- 2 GETTING HYSTERICAL Thelma & Louise and Laughter 43
- 3 HEARING THELMA & LOUISE Active Reading of the Hybrid Pop Score 65
- 4 INTERPLAYING IDENTITIES Acting and the Building Blocks of Character in Thelma & Louise 91
- 5 AN OUTLAW-COUPLE-ON-THE-RUN FILM FOR THE 1990S 122
- 6 “WHAT ALL THE FUSS IS ABOUT” Making Brad Pitt in Thelma & Louise 146
- 7 INTERVIEW WITH CALLIE KHOURI December 19, 2002 168
- APPENDIX I Commentaries 191
- APPENDIX II Filmographies 205
- SELECTED BIBLIOGRAPHY 213
- CONTRIBUTORS 217
- INDEX 219