Acknowledgments

Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Acknowledgments viii
4. Introduction 1
5. Part I. The Dawn of Sound Design
6. Chapter 1. Sound Design 15
7. chapter 2. Music and Speculation in 2001: A Space Odyssey 39
8. Part II . Sound Montage
9. Chapter 3. The Convergence of Hollywood and New Wave Science Fiction 55
10. Chapter 4. Suggestive Fragments in THX 1138 75
11. Part III . Sound Designing
12. Chapter 5. From Sound Capture to Construction 93
13. Chapter 6. Surround Sound and Science Fiction 115
14. Part IV. Sound Effects
15. Chapter 7. Genre Splicing 129
16. Chapter 8. Alien 147
17. Part V. Voice Design
18. Chapter 9. Blade Runners 169
19. Part VI. Final Design
20. Chapter 10. Sound Mixing and Sound Design in Science Fiction Cinema 191
21. Chapter 11. Mixing Man and Machine in Terminator 2: Judgment Day 207
22. Part VII . Conclusion: A Sounding of the Future
23. Chapter 12. What is The Matrix? 223
24. Appendix 241
25. Notes 245
26. Glossary 257
27. Bibliography 261
28. Filmography 269
29. Index 273