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Chapter 3. The Convergence of Hollywood and New Wave Science Fiction
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments viii
- Introduction 1
-
Part I. The Dawn of Sound Design
- Chapter 1. Sound Design 15
- chapter 2. Music and Speculation in 2001: A Space Odyssey 39
-
Part II . Sound Montage
- Chapter 3. The Convergence of Hollywood and New Wave Science Fiction 55
- Chapter 4. Suggestive Fragments in THX 1138 75
-
Part III . Sound Designing
- Chapter 5. From Sound Capture to Construction 93
- Chapter 6. Surround Sound and Science Fiction 115
-
Part IV. Sound Effects
- Chapter 7. Genre Splicing 129
- Chapter 8. Alien 147
-
Part V. Voice Design
- Chapter 9. Blade Runners 169
-
Part VI. Final Design
- Chapter 10. Sound Mixing and Sound Design in Science Fiction Cinema 191
- Chapter 11. Mixing Man and Machine in Terminator 2: Judgment Day 207
-
Part VII . Conclusion: A Sounding of the Future
- Chapter 12. What is The Matrix? 223
- Appendix 241
- Notes 245
- Glossary 257
- Bibliography 261
- Filmography 269
- Index 273
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments viii
- Introduction 1
-
Part I. The Dawn of Sound Design
- Chapter 1. Sound Design 15
- chapter 2. Music and Speculation in 2001: A Space Odyssey 39
-
Part II . Sound Montage
- Chapter 3. The Convergence of Hollywood and New Wave Science Fiction 55
- Chapter 4. Suggestive Fragments in THX 1138 75
-
Part III . Sound Designing
- Chapter 5. From Sound Capture to Construction 93
- Chapter 6. Surround Sound and Science Fiction 115
-
Part IV. Sound Effects
- Chapter 7. Genre Splicing 129
- Chapter 8. Alien 147
-
Part V. Voice Design
- Chapter 9. Blade Runners 169
-
Part VI. Final Design
- Chapter 10. Sound Mixing and Sound Design in Science Fiction Cinema 191
- Chapter 11. Mixing Man and Machine in Terminator 2: Judgment Day 207
-
Part VII . Conclusion: A Sounding of the Future
- Chapter 12. What is The Matrix? 223
- Appendix 241
- Notes 245
- Glossary 257
- Bibliography 261
- Filmography 269
- Index 273