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Chapter 4 Choreography with Words: Nellie Campobello’s Search for a Writer’s Pose
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Vicky Unruh
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Chapters in this book
- Frontmatter i
- Contents vii
- Abbreviations ix
- Acknowledgments xi
- Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s 1
- Chapter 1 Alfonsina Storni’s Misfits: A Critical Refashioning of Poetisa Aesthetics 30
- Chapter 2 Walking Backwards: Victoria Ocampo’s Scenes of Intrusion 52
- Chapter 3 No Place Like Home: Norah Lange’s Art of Anatomy 72
- Chapter 4 Choreography with Words: Nellie Campobello’s Search for a Writer’s Pose 92
- Chapter 5 “Dressing and Undressing the Mind”: Antonieta Rivas Mercado’s Unfi nished Performance 115
- Chapter 6 Acts of Literary Privilege in Havana: Mariblanca Sabas Alomá and Ofelia Rodríguez Acosta 135
- Chapter 7 Ad-libs by the Women of Amauta: Magda Portal and María Wiesse 165
- Chapter 8 A Refusal to Perform: Patrícia Galvão’s Spy on the Wall 195
- Notes 222
- References 246
- Index 267
Chapters in this book
- Frontmatter i
- Contents vii
- Abbreviations ix
- Acknowledgments xi
- Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s 1
- Chapter 1 Alfonsina Storni’s Misfits: A Critical Refashioning of Poetisa Aesthetics 30
- Chapter 2 Walking Backwards: Victoria Ocampo’s Scenes of Intrusion 52
- Chapter 3 No Place Like Home: Norah Lange’s Art of Anatomy 72
- Chapter 4 Choreography with Words: Nellie Campobello’s Search for a Writer’s Pose 92
- Chapter 5 “Dressing and Undressing the Mind”: Antonieta Rivas Mercado’s Unfi nished Performance 115
- Chapter 6 Acts of Literary Privilege in Havana: Mariblanca Sabas Alomá and Ofelia Rodríguez Acosta 135
- Chapter 7 Ad-libs by the Women of Amauta: Magda Portal and María Wiesse 165
- Chapter 8 A Refusal to Perform: Patrícia Galvão’s Spy on the Wall 195
- Notes 222
- References 246
- Index 267