Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s

Vicky Unruh

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Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s

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Unruh, Vicky. "Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s". Performing Women and Modern Literary Culture in Latin America: Intervening Acts, New York, USA: University of Texas Press, 2006, pp. 1-29. https://doi.org/10.7560/709454-003

Unruh, V. (2006). Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s. In Performing Women and Modern Literary Culture in Latin America: Intervening Acts (pp. 1-29). New York, USA: University of Texas Press. https://doi.org/10.7560/709454-003

Unruh, V. 2006. Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s. Performing Women and Modern Literary Culture in Latin America: Intervening Acts. New York, USA: University of Texas Press, pp. 1-29. https://doi.org/10.7560/709454-003

Unruh, Vicky. "Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s" In Performing Women and Modern Literary Culture in Latin America: Intervening Acts, 1-29. New York, USA: University of Texas Press, 2006. https://doi.org/10.7560/709454-003

Unruh V. Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s. In: Performing Women and Modern Literary Culture in Latin America: Intervening Acts. New York, USA: University of Texas Press; 2006. p.1-29. https://doi.org/10.7560/709454-003

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Chapters in this book

Frontmatter i
Contents vii
Abbreviations ix
Acknowledgments xi
Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s 1
Chapter 1 Alfonsina Storni’s Misfits: A Critical Refashioning of Poetisa Aesthetics 30
Chapter 2 Walking Backwards: Victoria Ocampo’s Scenes of Intrusion 52
Chapter 3 No Place Like Home: Norah Lange’s Art of Anatomy 72
Chapter 4 Choreography with Words: Nellie Campobello’s Search for a Writer’s Pose 92
Chapter 5 “Dressing and Undressing the Mind”: Antonieta Rivas Mercado’s Unfi nished Performance 115
Chapter 6 Acts of Literary Privilege in Havana: Mariblanca Sabas Alomá and Ofelia Rodríguez Acosta 135
Chapter 7 Ad-libs by the Women of Amauta: Magda Portal and María Wiesse 165
Chapter 8 A Refusal to Perform: Patrícia Galvão’s Spy on the Wall 195
Notes 222
References 246
Index 267

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https://doi.org/10.7560/709454-003

Chapters in this book

Frontmatter i
Contents vii
Abbreviations ix
Acknowledgments xi
Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s 1
Chapter 1 Alfonsina Storni’s Misfits: A Critical Refashioning of Poetisa Aesthetics 30
Chapter 2 Walking Backwards: Victoria Ocampo’s Scenes of Intrusion 52
Chapter 3 No Place Like Home: Norah Lange’s Art of Anatomy 72
Chapter 4 Choreography with Words: Nellie Campobello’s Search for a Writer’s Pose 92
Chapter 5 “Dressing and Undressing the Mind”: Antonieta Rivas Mercado’s Unfi nished Performance 115
Chapter 6 Acts of Literary Privilege in Havana: Mariblanca Sabas Alomá and Ofelia Rodríguez Acosta 135
Chapter 7 Ad-libs by the Women of Amauta: Magda Portal and María Wiesse 165
Chapter 8 A Refusal to Perform: Patrícia Galvão’s Spy on the Wall 195
Notes 222
References 246
Index 267

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Introduction: The “Fatal Fact” of the New Woman Writer in Latin America, 1920s–1930s

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