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3. Incidental Jewishness in the Films of Fabián Bielinsky

  • Amy Kaminsky
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Evolving Images
Ein Kapitel aus dem Buch Evolving Images
© 2021 University of Texas Press

© 2021 University of Texas Press

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents v
  3. Introduction. Evolving Images: Jewish Latin American Cinema 1
  4. Part I. Alternative Identities
  5. 1. Out of the Shadows: María Victoria Menis’s Camera Obscura 11
  6. 2. Intercultural Dilemmas: Performing Jewish Identities in Contemporary Mexican Cinema 24
  7. 3. Incidental Jewishness in the Films of Fabián Bielinsky 36
  8. Part II. Memory and Violence
  9. 4. My German Friend and the Jewish Argentine/German “Mnemo-Historic“ Context 49
  10. 5. Dispersed Friendships: Jeanine Meerapfel’s The Girlfriend 62
  11. 6. Revisiting the AMIA Bombing in Marcos Carnevale’s Anita 73
  12. Part III. New Themes
  13. 7. The Year My Parents Went on Vacation: A Jewish Journey in the Land of Soccer 91
  14. 8. Coming of Age in Two Films from Argentina and Uruguay 103
  15. 9. Waiting for the Messiah: The Super 8mm Films of Alberto Salomón 117
  16. Part IV. Diasporas and Displacements
  17. 10. Geographic Isolation and Jewish Religious Revival in Two Contemporary Latin American Documentaries 133
  18. 11. Negotiating Jewish and Palestinian Identities in Latin American Cinema 148
  19. 12. From a Dream to Reality: Representations of Israel in Contemporary Jewish Latin American Film 164
  20. 13. On Becoming a Movie 178
  21. Part V. Comparative Perspectives: North and South American Cinema
  22. 14. Jewish Urban Space in the Films of Daniel Burman and Woody Allen 187
  23. 15. Interfaith Relations between Jews and Gentiles in Argentine and US Cinema 204
  24. Afterword. Film Studies, Jewish Studies, Latin American Studies 225
  25. Jewish Latin American Filmography 235
  26. Contributors 241
  27. Index 245
Heruntergeladen am 17.9.2025 von https://www.degruyterbrill.com/document/doi/10.7560/314265-004/html
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