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Introduction: The Cultural Significance of Chinese Drama
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Patricia Sieber
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Thematic contents ix
- Preface to the how to read Chinese literature series xxv
- A note on how to use this anthology xxvii
- Chronology of historical events xxxi
- Symbols, abbreviations, and typographical usage xliii
- Introduction: The Cultural Significance of Chinese Drama 1
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Part I: Yuan and Ming dynasties: Zaju Plays
- 1 The Story of the Western Wing: Tale, Ballad, and Play 31
- 2 Purple Clouds, Wrong Career, and The Tiger Head Plaque: Jurchen Foreigners in Early Drama 52
- 3 The Pavilion for Praying to the Moon and The Injustice to Dou E: The Innovation of the Female Lead 78
- 4 The Story of the Western Wing: Theater and the Printed Image 101
- 5 The Orphan of Zhao: The Meaning of Loyalty and Filiality 127
- 6 The Female Mulan Joins the Army in Place of Her Father: Gender and Performance 151
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Part II Ming Dynasty and Early Qing Dynasty: Nanxi and Chuanqi Plays
- 7 Top Graduate Zhang Xie and The Lute: Scholar, Family, and State 171
- 8 The Southern Story of the Western Wing (Nan Xixiang) Traditional Kunqu Composition, Interpretation, and Performance 191
- 9 The Peony Pavilion: Emotions, Dreams, and Spectatorship 212
- 10 The Green Peony and The Swallow’s Letter: Drama and Politics 235
- 11 A Much-Desired Match: Playwriting, Stagecraft, and Entrepreneurship 257
- 12 The Peach Blossom Fan and Palace of Everlasting Life: History, Romance, and Performance 285
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Part III Mid–Qing Dynasty: Zaju and Chuanqi Plays
- 13 Song of Dragon Well Tea and Other Court Plays: Stage Directions, Spectacle, and Panegyrics 309
- 14 The Eight-Court Pearl: Performance Scripts and Political Culture 325
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Part IV Ming, Qing, and Modern Eras: Ritual Plays
- 15 Mulian Rescues His Mother: Play Structure, Ritual, and Soundscapes 349
- 16 The Story of Hua Guan Suo: Chantefable and Ritual Plays 367
- Acknowledgments 387
- Contributors 389
- Visual resources 395
- Glossary-index 401
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Thematic contents ix
- Preface to the how to read Chinese literature series xxv
- A note on how to use this anthology xxvii
- Chronology of historical events xxxi
- Symbols, abbreviations, and typographical usage xliii
- Introduction: The Cultural Significance of Chinese Drama 1
-
Part I: Yuan and Ming dynasties: Zaju Plays
- 1 The Story of the Western Wing: Tale, Ballad, and Play 31
- 2 Purple Clouds, Wrong Career, and The Tiger Head Plaque: Jurchen Foreigners in Early Drama 52
- 3 The Pavilion for Praying to the Moon and The Injustice to Dou E: The Innovation of the Female Lead 78
- 4 The Story of the Western Wing: Theater and the Printed Image 101
- 5 The Orphan of Zhao: The Meaning of Loyalty and Filiality 127
- 6 The Female Mulan Joins the Army in Place of Her Father: Gender and Performance 151
-
Part II Ming Dynasty and Early Qing Dynasty: Nanxi and Chuanqi Plays
- 7 Top Graduate Zhang Xie and The Lute: Scholar, Family, and State 171
- 8 The Southern Story of the Western Wing (Nan Xixiang) Traditional Kunqu Composition, Interpretation, and Performance 191
- 9 The Peony Pavilion: Emotions, Dreams, and Spectatorship 212
- 10 The Green Peony and The Swallow’s Letter: Drama and Politics 235
- 11 A Much-Desired Match: Playwriting, Stagecraft, and Entrepreneurship 257
- 12 The Peach Blossom Fan and Palace of Everlasting Life: History, Romance, and Performance 285
-
Part III Mid–Qing Dynasty: Zaju and Chuanqi Plays
- 13 Song of Dragon Well Tea and Other Court Plays: Stage Directions, Spectacle, and Panegyrics 309
- 14 The Eight-Court Pearl: Performance Scripts and Political Culture 325
-
Part IV Ming, Qing, and Modern Eras: Ritual Plays
- 15 Mulian Rescues His Mother: Play Structure, Ritual, and Soundscapes 349
- 16 The Story of Hua Guan Suo: Chantefable and Ritual Plays 367
- Acknowledgments 387
- Contributors 389
- Visual resources 395
- Glossary-index 401