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A Portrait of the Artist as Friend
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Richard Ellmann
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Kapitel in diesem Buch
- Frontmatter I
- Acknowledgments V
- Foreword: Self and Society VII
- Contents XVII
- The Example of Cervantes 1
- The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction 26
- Marcel Proust and the Imagination of Duchesses 51
- A Portrait of the Artist as Friend 60
- James Joyce and an Irish Tradition 78
- Sinclair Lewis and the Method of Half-Truths 117
- Supervising Committee, the English Institute, 1955 145
- Contributors to the Guarantee Fund, 7955 146
- The Program 147
- Registrants, 7955 150
Kapitel in diesem Buch
- Frontmatter I
- Acknowledgments V
- Foreword: Self and Society VII
- Contents XVII
- The Example of Cervantes 1
- The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction 26
- Marcel Proust and the Imagination of Duchesses 51
- A Portrait of the Artist as Friend 60
- James Joyce and an Irish Tradition 78
- Sinclair Lewis and the Method of Half-Truths 117
- Supervising Committee, the English Institute, 1955 145
- Contributors to the Guarantee Fund, 7955 146
- The Program 147
- Registrants, 7955 150
