The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction

G. Armour Craig

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The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction

G. Armour Craig

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Craig, G. Armour. "The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction". Society and Self in the Novel: English Institute Essays 1955, edited by Mark Schorer, New York Chichester, West Sussex: Columbia University Press, 1956, pp. 26-50. https://doi.org/10.7312/scho92868-004

Craig, G. (1956). The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction. In M. Schorer (Ed.), Society and Self in the Novel: English Institute Essays 1955 (pp. 26-50). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/scho92868-004

Craig, G. 1956. The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction. In: Schorer, M. ed. Society and Self in the Novel: English Institute Essays 1955. New York Chichester, West Sussex: Columbia University Press, pp. 26-50. https://doi.org/10.7312/scho92868-004

Craig, G. Armour. "The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction" In Society and Self in the Novel: English Institute Essays 1955 edited by Mark Schorer, 26-50. New York Chichester, West Sussex: Columbia University Press, 1956. https://doi.org/10.7312/scho92868-004

Craig G. The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction. In: Schorer M (ed.) Society and Self in the Novel: English Institute Essays 1955. New York Chichester, West Sussex: Columbia University Press; 1956. p.26-50. https://doi.org/10.7312/scho92868-004

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Chapters in this book

Frontmatter I
Acknowledgments V
Foreword: Self and Society VII
Contents XVII
The Example of Cervantes 1
The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction 26
Marcel Proust and the Imagination of Duchesses 51
A Portrait of the Artist as Friend 60
James Joyce and an Irish Tradition 78
Sinclair Lewis and the Method of Half-Truths 117
Supervising Committee, the English Institute, 1955 145
Contributors to the Guarantee Fund, 7955 146
The Program 147
Registrants, 7955 150

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https://doi.org/10.7312/scho92868-004

Chapters in this book

Frontmatter I
Acknowledgments V
Foreword: Self and Society VII
Contents XVII
The Example of Cervantes 1
The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction 26
Marcel Proust and the Imagination of Duchesses 51
A Portrait of the Artist as Friend 60
James Joyce and an Irish Tradition 78
Sinclair Lewis and the Method of Half-Truths 117
Supervising Committee, the English Institute, 1955 145
Contributors to the Guarantee Fund, 7955 146
The Program 147
Registrants, 7955 150

The Unpoetic Compromise: On the Relation between Private Vision and Social Order in Nineteenth-Century English Fiction

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