Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Preface vii
4. Foreword ix
5. Part One. The Film-Maker’S Craft
6. 1. National Styles in Cinema 3
7. 2. Notes on Filming Bibhuti Bhusan 9
8. 3. Should a Film-Maker Be Original? 13
9. 4. This Word ‘Technique’ 19
10. 5. All These Devices 27
11. 6. The Changing Face of Films 32
12. 7. The Question of Reality 35
13. 8. The Confronting Question 39
14. 9. A Film Must Achieve its Objective 43
15. 10. Thoughts on the Camera 51
16. 11. ‘I Wish I Could Have Shown Them To You’ 53
17. 12. The New Cinema and I 58
18. 13. Under Western Eyes 68
19. 14. The Art of Silence 92
20. Part Two. Pen Portraits
21. 15. A Word About Godard 99
22. 16. The New Antonioni 102
23. 17. The Nayak 107
24. 18. ‘Never Use Animals’ 112
25. 19. The Immortal Tramp 115
26. Part Three. Celebrating Cinema
27. 20. Arrival in Moscow 119
28. 21. Film Festivals 126
29. 22. Our Festivals, Their Festivals 130
30. Filmography 138
31. Satyajit Ray’S Contributions to Films Other than His Own 162
32. Awards Won by Satyajit Ray 164
33. Index 166
34. Preserving a Legacy 170