Afterword

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. Acknowledgments vii
4. Translator’s Introduction ix
5. BIBLIOGRAPHY xxiv
6. 1. Humanoid Enunciation 3
7. 2. The Voice of Address in the Image: The Look to Camera 27
8. 3. The Voice of Address Outside the Image: Related Sounds 39
9. 4. Written Modes of Address 46
10. 5. Secondary Screens, or Squaring the Rectangle 52
11. 6. Mirrors 60
12. 7. “Exposing the Apparatus” 64
13. 8. Film(s) Within Film 71
14. 9. Subjective Images, Subjective Sounds, “Point of View” 89
15. 10. The I-voice and Related Sounds 107
16. 11. The Oriented Objective System: Enunciation and Style 121
17. 12. “Neutral” (?) Images and Sounds 135
18. 13. (Taking Theoretical Flight) 143
19. Afterword 177
20. Notes 187
21. On the Shelf: Works Cited 217
22. Index 229