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9. Subjective Images, Subjective Sounds, “Point of View”
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Translator’s Introduction ix
- BIBLIOGRAPHY xxiv
- 1. Humanoid Enunciation 3
- 2. The Voice of Address in the Image: The Look to Camera 27
- 3. The Voice of Address Outside the Image: Related Sounds 39
- 4. Written Modes of Address 46
- 5. Secondary Screens, or Squaring the Rectangle 52
- 6. Mirrors 60
- 7. “Exposing the Apparatus” 64
- 8. Film(s) Within Film 71
- 9. Subjective Images, Subjective Sounds, “Point of View” 89
- 10. The I-voice and Related Sounds 107
- 11. The Oriented Objective System: Enunciation and Style 121
- 12. “Neutral” (?) Images and Sounds 135
- 13. (Taking Theoretical Flight) 143
- Afterword 177
- Notes 187
- On the Shelf: Works Cited 217
- Index 229
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Translator’s Introduction ix
- BIBLIOGRAPHY xxiv
- 1. Humanoid Enunciation 3
- 2. The Voice of Address in the Image: The Look to Camera 27
- 3. The Voice of Address Outside the Image: Related Sounds 39
- 4. Written Modes of Address 46
- 5. Secondary Screens, or Squaring the Rectangle 52
- 6. Mirrors 60
- 7. “Exposing the Apparatus” 64
- 8. Film(s) Within Film 71
- 9. Subjective Images, Subjective Sounds, “Point of View” 89
- 10. The I-voice and Related Sounds 107
- 11. The Oriented Objective System: Enunciation and Style 121
- 12. “Neutral” (?) Images and Sounds 135
- 13. (Taking Theoretical Flight) 143
- Afterword 177
- Notes 187
- On the Shelf: Works Cited 217
- Index 229