Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. Acknowledgments ix
4. Introduction: James Bond— Agent of Continuity and Change 1
5. 1. Bond and the New Elizabethans: Tradition and Modernity in Dr. No (1962) 13
6. 2. “A Real Labour of Love, as They Say”: James Bond as a Sexual Plaything in From Russia with Love (1963) 25
7. 3. The Midas Touch: Eastmancolor, the Bond Franchise, and Goldfinger (1964) 36
8. 4. The Popular Geopolitics of Thunderball (1965): Look Up, Look Down, and Look Everywhere! 48
9. 5. Bond in the East: Orientalism and the Exotic in You Only Live Twice (1967) 60
10. 6. The Other Fellow: On Her Majesty’s Secret Service (1969) 71
11. 7. Diamonds Are Forever (1971): 007 and Transatlantic States of Emergency 83
12. 8. From Harlem to San Monique: Spatial Dichotomies, Voodoo, and Cultural Identity in Live and Let Die (1973) 95
13. 9. “We All Get Our Jollies One Way or Another”: The Perversity and Pleasure of Christopher Lee in The Man with the Golden Gun (1974) 108
14. 10. Nobody Does It Better: “Keeping the British End Up” at a Time of National Crisis in The Spy Who Loved Me (1977) 120
15. 11. Moonraker (1979) and the Canvas of Escapism 131
16. 12. The Spectre of Death: Revenge and Retribution in For Your Eyes Only (1981) 143
17. 13. The (Clown) Suited Hero: James Bond, Costume, Gender, and Disguise in Octopussy (1983) 155
18. 14. Scowls and Cowls: Grace Jones, Costume Design, and A View to a Kill (1985) 167
19. 15. “A Time When Indiscriminating Bed- Hopping Is Definitely Not Advisable”: Safe- Sex References in the UK Press Reception of The Living Daylights (1987) 179
20. 16. Bond in the New World Orders: Licence to Kill (1989) 190
21. 17. Cold War Nostalgia, (Geo)Political Progress, and James Bond in GoldenEye (1995) 202
22. 18. Bond by the Numbers: Tomorrow Never Dies (1997) 212
23. 19. Bond at the Crossroads: The World Is Not Enough (1999) 225
24. 20. The Digital Domain of Die Another Day (2002) 238
25. 21. What Matters More: Hierarchies of Value in Casino Royale (2006) 253
26. 22. “Like a Bullet . . .”: Speed, Economy, and Canonical Continuity in Quantum of Solace (2008) 264
27. 23. “Sometimes the Old Ways Are the Best”: Technology and the Body in a Gothic Reading of Sam Mendes’s Skyfall (2012) 276
28. 24. “It’s Always Been Me”: Spectrality, Hauntings, and Retcon in Spectre (2015) 288
29. 25. No Time to Die (2021) and The Spy Who Loved #MeToo? 300
30. Selected Bibliography 315
31. Contributors 317
32. Index 323