9. Recollected in Tranquillity: Harold in Italy

Kapitel in diesem Buch

1. Frontmatter I
2. Author’s Note XI
3. Preface to the Third Edition XIII
4. Contents XXI
5. Illustrations XXIII
6. Volume One
7. Introduction. Berlioz as Man and Artist 3
8. France
9. 1. Time, Place, Persons 23
10. 2. Ce Qu’ on Entend sur la Montagne 34
11. 3. Opera and Conservatoire 46
12. 4. Faustian Man 84
13. 5. Revolution in July 119
14. 6. Reveries and Passions: Symphonie Fantastique 147
15. 7. Interchapter: Program Music and the Unicorn 169
16. Italy
17. 8. Roman Holiday: Lélio 199
18. 9. Recollected in Tranquillity: Harold in Italy 231
19. 10. The Gothic Tradition: Requiem Mass 257
20. 11. The Hero as Artist: Benvenuto Cellini 289
21. 12. The Dramatic Symphony: Romeo and Juliet 309
22. 13. Vox Populi: Funeral and Triumphal Symphony 340
23. 14. Interchapter: The Century of Romanticism 367
24. Germany
25. 15. Music for Europe: A Travers Chants 399
26. 16. The Art of Composition: The Treatise 432
27. 17. Form and Philosophy: The Damnation of Faust 470
28. 18. Song in Time of Revolution 504
29. 19. Vision of a Virtuoso: Te Deum 542
30. Volume Two
31. Frontmatter II 575
32. Contents 581
33. Illustrations 583
34. 20. Interchapter: Memoirs of Art and Life 585
35. England, Germany, and Russia
36. 21. Victorian London: Evenings with the Orchestra 616
37. 22. Religious History: L’Enfance du Christ 654
38. 23. Virgilian Music Drama: Les Troyens 690
39. 24. Esthetes Abroad: Wagner, Liszt, and the Princess 738
40. 25. Prospero’ s Farewell: Beatrice and Benedict 787
41. 26. Empire and Industry: Les Grotesques 812
42. 27. Holy Russia and Giddy France: 33 Melodies 859
43. 28. Memory’s End 878
44. Supplements
45. 1. Berlioz’ Afterfame 885
46. 2. Biographer’s Fallacy: Boschot’s Berlioz 896
47. 3. Desiderata; Present State of Berlioz Studies (1949) 905
48. 4. Euphonia and Bayreuth: Musical Cities 911
49. 5. Berlioz on the Future of Rhythm 920
50. 6. The Fetish of Form 924
51. Chronology 935
52. Berlioz’ Domiciles 940
53. Errors in the “ Complete” Edition of the Scores 942
54. Bibliography 967
55. Acknowledgments 1043
56. Index 1045