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Kapitel in diesem Buch
- Frontmatter I
- Author’s Note XI
- Preface to the Third Edition XIII
- Contents XXI
- Illustrations XXIII
-
Volume One
- Introduction. Berlioz as Man and Artist 3
-
France
- 1. Time, Place, Persons 23
- 2. Ce Qu’ on Entend sur la Montagne 34
- 3. Opera and Conservatoire 46
- 4. Faustian Man 84
- 5. Revolution in July 119
- 6. Reveries and Passions: Symphonie Fantastique 147
- 7. Interchapter: Program Music and the Unicorn 169
-
Italy
- 8. Roman Holiday: Lélio 199
- 9. Recollected in Tranquillity: Harold in Italy 231
- 10. The Gothic Tradition: Requiem Mass 257
- 11. The Hero as Artist: Benvenuto Cellini 289
- 12. The Dramatic Symphony: Romeo and Juliet 309
- 13. Vox Populi: Funeral and Triumphal Symphony 340
- 14. Interchapter: The Century of Romanticism 367
-
Germany
- 15. Music for Europe: A Travers Chants 399
- 16. The Art of Composition: The Treatise 432
- 17. Form and Philosophy: The Damnation of Faust 470
- 18. Song in Time of Revolution 504
- 19. Vision of a Virtuoso: Te Deum 542
-
Volume Two
- Frontmatter II 575
- Contents 581
- Illustrations 583
- 20. Interchapter: Memoirs of Art and Life 585
-
England, Germany, and Russia
- 21. Victorian London: Evenings with the Orchestra 616
- 22. Religious History: L’Enfance du Christ 654
- 23. Virgilian Music Drama: Les Troyens 690
- 24. Esthetes Abroad: Wagner, Liszt, and the Princess 738
- 25. Prospero’ s Farewell: Beatrice and Benedict 787
- 26. Empire and Industry: Les Grotesques 812
- 27. Holy Russia and Giddy France: 33 Melodies 859
- 28. Memory’s End 878
-
Supplements
- 1. Berlioz’ Afterfame 885
- 2. Biographer’s Fallacy: Boschot’s Berlioz 896
- 3. Desiderata; Present State of Berlioz Studies (1949) 905
- 4. Euphonia and Bayreuth: Musical Cities 911
- 5. Berlioz on the Future of Rhythm 920
- 6. The Fetish of Form 924
- Chronology 935
- Berlioz’ Domiciles 940
- Errors in the “ Complete” Edition of the Scores 942
- Bibliography 967
- Acknowledgments 1043
- Index 1045
Kapitel in diesem Buch
- Frontmatter I
- Author’s Note XI
- Preface to the Third Edition XIII
- Contents XXI
- Illustrations XXIII
-
Volume One
- Introduction. Berlioz as Man and Artist 3
-
France
- 1. Time, Place, Persons 23
- 2. Ce Qu’ on Entend sur la Montagne 34
- 3. Opera and Conservatoire 46
- 4. Faustian Man 84
- 5. Revolution in July 119
- 6. Reveries and Passions: Symphonie Fantastique 147
- 7. Interchapter: Program Music and the Unicorn 169
-
Italy
- 8. Roman Holiday: Lélio 199
- 9. Recollected in Tranquillity: Harold in Italy 231
- 10. The Gothic Tradition: Requiem Mass 257
- 11. The Hero as Artist: Benvenuto Cellini 289
- 12. The Dramatic Symphony: Romeo and Juliet 309
- 13. Vox Populi: Funeral and Triumphal Symphony 340
- 14. Interchapter: The Century of Romanticism 367
-
Germany
- 15. Music for Europe: A Travers Chants 399
- 16. The Art of Composition: The Treatise 432
- 17. Form and Philosophy: The Damnation of Faust 470
- 18. Song in Time of Revolution 504
- 19. Vision of a Virtuoso: Te Deum 542
-
Volume Two
- Frontmatter II 575
- Contents 581
- Illustrations 583
- 20. Interchapter: Memoirs of Art and Life 585
-
England, Germany, and Russia
- 21. Victorian London: Evenings with the Orchestra 616
- 22. Religious History: L’Enfance du Christ 654
- 23. Virgilian Music Drama: Les Troyens 690
- 24. Esthetes Abroad: Wagner, Liszt, and the Princess 738
- 25. Prospero’ s Farewell: Beatrice and Benedict 787
- 26. Empire and Industry: Les Grotesques 812
- 27. Holy Russia and Giddy France: 33 Melodies 859
- 28. Memory’s End 878
-
Supplements
- 1. Berlioz’ Afterfame 885
- 2. Biographer’s Fallacy: Boschot’s Berlioz 896
- 3. Desiderata; Present State of Berlioz Studies (1949) 905
- 4. Euphonia and Bayreuth: Musical Cities 911
- 5. Berlioz on the Future of Rhythm 920
- 6. The Fetish of Form 924
- Chronology 935
- Berlioz’ Domiciles 940
- Errors in the “ Complete” Edition of the Scores 942
- Bibliography 967
- Acknowledgments 1043
- Index 1045