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Chapter Thirteen A Program for Plants (2016)

  • Giovanni Aloi , Linda Tegg , Joshi Radin und Brian M. John
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Posthumanism in Art and Science
Ein Kapitel aus dem Buch Posthumanism in Art and Science
© 2021 Columbia University Press

© 2021 Columbia University Press

Kapitel in diesem Buch

  1. Frontmatter i
  2. CONTENTS v
  3. Introduction 1
  4. PART I Post-Identity Politics
  5. Chapter One Interview with Cassils 25
  6. Chapter Two From SF 34
  7. Chapter Three From Nomadic Theory (2011) 40
  8. Chapter Four From Towards a New Class of Being 43
  9. Chapter Five A Feminist Genealogy of Posthuman Aesthetics in the Visual Arts (2016) 47
  10. Chapter Six Animality and Blackness (2020) 55
  11. Chapter Seven Asserting Aboriginal Territories in Cyberspace 59
  12. Chapter Eight From Posthumanism and the Graphic Novel in Latin America (2017) 63
  13. Chapter Nine Witnessing Animals 67
  14. Chapter Ten Video Dog Star 73
  15. Chapter Eleven Interview with Garry Marvin 78
  16. Chapter Twelve From Plant Thinking 87
  17. Chapter Thirteen A Program for Plants (2016) 91
  18. Chapter Fourteen No Manifesto (1965, 2008) 97
  19. PART II Material Dimensions
  20. Chapter Fifteen Interview with Nandipha Mntambo 101
  21. Chapter Sixteen Locating Me in Order to See You (2007) 106
  22. Chapter Seventeen From The Rendered Material of Film Stock (2009) 110
  23. Chapter Eighteen Interview with Heide Hatry 115
  24. Chapter Nineteen On Some Limits of Materiality in Art History (2008) 121
  25. Chapter Twenty Elephants in the Room 127
  26. Chapter Twenty-One From Second Skins 133
  27. Chapter Twenty-Two Hunting and Gathering as Ways of Perceiving the Environment (2012) 138
  28. Chapter Twenty-Three Super-natural Futures 141
  29. Chapter Twenty-Four Rhythms of Relation 146
  30. Chapter Twenty-Five Proliferation, Extinction, and an Anthropocene Aesthetic (2017) 151
  31. Chapter Twenty-Six Interview with Graham Harman 155
  32. Chapter Twenty-Seven From Dark Ecology (2016) 160
  33. Chapter Twenty-Eight From What Is the Measure of Nothingness? 163
  34. PART III Registering Interconnectedness
  35. Chapter Twenty-Nine Interview with Kathy High 175
  36. Chapter Thirty From Writing Machines (2002) 182
  37. Chapter Thirty-One From Unexpress the Expressible (2012) 187
  38. Chapter Thirty-Two Introduction to Nocturnal Fabulations 189
  39. Chapter Thirty-Three Posthuman Performance (2010) 192
  40. Chapter Thirty-Four Critical Relationality 202
  41. Chapter Thirty-Five Ecosex ManiFesto (2011) 212
  42. Chapter Thirty-Six Interview with Jane Bennett 214
  43. Chapter Thirty-Seven Interview with Pauline Oliveros 218
  44. Chapter Thirty-Eight Animals, Nostalgia and Zimbawe’s Rural Landscape in the Poetry of Chenjerai Hove and Musaemura Zimunya (2016) 225
  45. Chapter Thirty-Nine Waiting for Gaia 229
  46. Chapter Forty Interview with Newton Harrison 235
  47. Chapter Forty-One Seeds = Future (2013) 241
  48. PART IV Emerging Ecologies
  49. Chapter Forty-Two Interview with Katherine McKittrick: (2021) 249
  50. Chapter Forty-Three Interview with Doo-Sung-Yoo 256
  51. Chapter Forty-Four Interview with Kelly Jazvac 264
  52. Chapter Forty-Five A Questionnaire on Materialisms 267
  53. Chapter Forty-Six Art as Remembrance and Trace in Post-Conflict Latin America (2016) 271
  54. Chapter Forty-Seven Interview With Manuela Rossini 276
  55. Chapter Forty-Eight African Afro-futurism 279
  56. Chapter Forty-Nine Whose Anthropocene? A Response (2016) 285
  57. Chapter Fifty Unruly Edges 295
  58. Chapter Fifty-One The Rise of Cheap Nature (2016) 301
  59. Chapter Fifty-Two From Forensic Architecture 308
  60. Chapter Fifty-Three Letters to Dear Climate (2017) 311
  61. Coda 323
  62. LIST OF CONTRIBUTORS 329
  63. INDEX 353
Heruntergeladen am 25.9.2025 von https://www.degruyterbrill.com/document/doi/10.7312/aloi19666-014/html
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