Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Abbreviations ix
4. Acknowledgments xi
5. Introduction 1
6. Part 1
7. 1. Worlds on Screen: The Ontology of Television Series and/as the Ontology of Film 13
8. 2. Storytelling and Worldhood: The Screen and Us 50
9. Part 2
10. 3. “This America, Man”: Tragic Reconciliation, Television, and The Wire 85
11. 4. The Gangster, Boredom, and Family: Weeds, Natality, and New Television 124
12. 5. “Boyd and I Dug Coal Together”: Justified, Moral Perfectionism, and the United States of America 175
13. Conclusion 201
14. Notes 203
15. Index 253