Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS vii
3. ACKNOWLEDGMENTS ix
4. INTRODUCTION 1
5. PART ONE. COMMODIFICATION
6. CHAPTER ONE. FOR-PROFIT PROPHETS: CHRISTIAN CULTURAL PRODUCTS AND THE SELLING OF JESUS 17
7. CHAPTER TWO. WHY SHOULD THE DEVIL HAVE ALL THE GOOD MUSIC? CHRISTIAN MUSIC AND THE SECULAR MARKETPLACE 52
8. PART TWO. SEXUALITY
9. CHAPTER THREE. VIRGINS FOR JESUS: THE GENDER POLITICS OF THERAPEUTIC CHRISTIAN MEDIA 87
10. CHAPTER FOUR. HOLINESS CODES AND HOLY HOMOSEXUALS: INTERPRETING GAY AND LESBIAN CHRISTIAN SUBCULTURE 114
11. PART THREE. FILMMAKING
12. CHAPTER FIVE. PUTTING GOD UNDER THE MICROSCOPE: THE MOODY INSTITUTE OF SCIENCE’S CINEMA OF DEVOTION 145
13. CHAPTER SIX. PRAYING FOR THE END OF THE WORLD: THE PAST, PRESENT, AND FUTURE OF CHRISTIAN APOCALYPTIC MEDIA 176
14. CONCLUSION: THE END IS NEAR 210
15. NOTES 215
16. BIBLIOGRAPHY 239
17. INDEX 249