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5. The Practice of Attention: Simone Weil’s Performance of Impersonality
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Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Acknowledgments xix
- 1. Introduction by Way of William Empson’s Buddha Faces 1
- 2. What Counts as Love: Jonathan Edwards’s True Virtue 21
- 3. Representing Grief: Emerson’s “Experience” 53
- 4. The Way of Life by Abandonment: Emerson’s Impersonal 79
- 5. The Practice of Attention: Simone Weil’s Performance of Impersonality 108
- 6. “ The Sea’s Throat”: T. S. Eliot’s Four Quartets 144
- 7. “Lines of Stones”: The Unpersonified Impersonal in Melville’s Billy Budd 180
- Notes 205
- Index 247
Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Acknowledgments xix
- 1. Introduction by Way of William Empson’s Buddha Faces 1
- 2. What Counts as Love: Jonathan Edwards’s True Virtue 21
- 3. Representing Grief: Emerson’s “Experience” 53
- 4. The Way of Life by Abandonment: Emerson’s Impersonal 79
- 5. The Practice of Attention: Simone Weil’s Performance of Impersonality 108
- 6. “ The Sea’s Throat”: T. S. Eliot’s Four Quartets 144
- 7. “Lines of Stones”: The Unpersonified Impersonal in Melville’s Billy Budd 180
- Notes 205
- Index 247