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Impersonality
Seven Essays
Language:
English
Published/Copyright:
2007
About this book
Philosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernism—writers for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no one’s voice, to fashion a character without meaningful attributes, a being that is virtually anonymous.
“To consent to being anonymous,” Weil wrote, “is to bear witness to the truth. But how is this compatible with social life and its labels?” Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibility—from a “truth” that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve.
Author / Editor information
Sharon Cameron is the William R. Kenan Jr. Professor of English at the Johns Hopkins University. Among her many publications are Thinking in Henry James,Choosing Not Choosing: Dickinson’s Fascicles, and Beautiful Work: A Meditation on Pain, the first two published by the University of Chicago Press.
Reviews
"Sharon Cameron’s seven essays in Impersonality explore identity, personhood, self-making, and much else, through the work of Melville, Weil, Empson and others. It’s a rich and rewarding book that I’ll be thinking about for some time."
— David Hayden, The Lonely CrowdTopics
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Frontmatter
i -
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Contents
v -
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Preface
vii -
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Acknowledgments
xix -
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1. Introduction by Way of William Empson’s Buddha Faces
1 -
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2. What Counts as Love: Jonathan Edwards’s True Virtue
21 -
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3. Representing Grief: Emerson’s “Experience”
53 -
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4. The Way of Life by Abandonment: Emerson’s Impersonal
79 -
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5. The Practice of Attention: Simone Weil’s Performance of Impersonality
108 -
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6. “ The Sea’s Throat”: T. S. Eliot’s Four Quartets
144 -
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7. “Lines of Stones”: The Unpersonified Impersonal in Melville’s Billy Budd
180 -
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Notes
205 -
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Index
247
Publishing information
Pages and Images/Illustrations in book
eBook published on:
November 15, 2009
eBook ISBN:
9780226091334
Pages and Images/Illustrations in book
Main content:
272
Other:
2 halftones
eBook ISBN:
9780226091334
Keywords for this book
essay collection; anthology; philosophy; philosopher; philosophical; academic; scholarly; debate; controversy; controversial; person; personhood; identity; literary; literature; impersonal; america; american; united states; usa; writers; modernism; international; global; william empson; jonathan edwards; ralph waldo emerson; herman melville; ts eliot; simone weil; criticism; critical; critique; close reading
Audience(s) for this book
Professional and scholarly;