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4. Collaborative Computer Art and Experimental Color Systems
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Kapitel in diesem Buch
- Frontmatter i
- Contents vi
- Introduction. How Color Became Code viii
-
Part 1. Chromatic Visions (400 B.C.–1969)
- 1. Colors Sacred and Synthetic 22
- 2. Synthetic Color in Video Synthesis 60
-
Part 2. Disciplining Color: Encounters with Number and Code (1965–1984)
- 3. Informatic Color and Aesthetic Transformations in Early Computer Art 102
- 4. Collaborative Computer Art and Experimental Color Systems 140
- 5. From Chromakey to the Alpha Channel 174
-
Part 3. “Transparent” Screens for Opaque Ontology (1984–2007)
- 6. Digital Infrared as Algorithmic Lifeworld 210
- 7. The Photoshop Cinema 242
- Postscript. A New Dark Age 278
- Acknowledgments 294
- Notes 296
- Bibliography 312
- Index 328
Kapitel in diesem Buch
- Frontmatter i
- Contents vi
- Introduction. How Color Became Code viii
-
Part 1. Chromatic Visions (400 B.C.–1969)
- 1. Colors Sacred and Synthetic 22
- 2. Synthetic Color in Video Synthesis 60
-
Part 2. Disciplining Color: Encounters with Number and Code (1965–1984)
- 3. Informatic Color and Aesthetic Transformations in Early Computer Art 102
- 4. Collaborative Computer Art and Experimental Color Systems 140
- 5. From Chromakey to the Alpha Channel 174
-
Part 3. “Transparent” Screens for Opaque Ontology (1984–2007)
- 6. Digital Infrared as Algorithmic Lifeworld 210
- 7. The Photoshop Cinema 242
- Postscript. A New Dark Age 278
- Acknowledgments 294
- Notes 296
- Bibliography 312
- Index 328