Kapitel in diesem Buch

1. Front Matter i
2. Contents v
3. Introduction 1
4. Indigenous Longings
5. Landscape, Trauma, and Identity: Simon Lavoie’s Le Torrent 15
6. Yearning for a Pre-Modern Quebec
7. The Quebec Heritage Film 41
8. “La Nostalgie de la Maison Inconnue”: The Ethics of Memory in Bernard Émond’s Recent Work 61
9. Fingerless (Anti) Christ: A Reminiscence of the Church in 1966 in Denys Arcand’s Les Invasions barbares and Éric Tessier’s Sur le seuil 79
10. Gendered Suffering
11. The Dys-Comforts of Home in Quebec Gothic Horror Cinema 103
12. Men in Pain: Home, Nostalgia, and Masculinity in Twenty-First-Century Quebec Film 125
13. Métropole & Région
14. The Rural (Re)Turns of Young Protagonists in Contemporary Quebec Films 149
15. Return to Abitibi in Bernard Émond’s la Donation 181
16. Quebec–Montreal: Time, Space, and Memory in Robert Lepage’s Le Confessionnal and Bernard Émond’s La Neuvaine 201
17. Works Cited 221
18. Filmography 235
19. Contributors 239
20. Index 241