Chapter 12 Linked Histories and Radio-Activity in Marie Clements’s Burning Vision

Kapitel in diesem Buch

1. Front Matter i
2. Contents v
3. Editors’ Introduction vii
4. Reader at Work: An Appreciation of Barbara Godard 1
5. Textual/Visual Production: Critical Interventions
6. Incisive Literary Critic, Brilliant Theorist, Engaged Teacher, Inspired Translator, Public Intellectual, and Committed Activist—All in the Feminine: The Early Barbara Godard 23
7. Cultural Memory and Tragic Affect in Nancy Huston’s The Mark of the Angel 41
8. Language and Interdisciplinarity: (Re-)contextualizing Nicole Brossard’s Picture Theory 59
9. Writing the Museum: Visual Art and Literature: Denise Desautels and Louise Warren 77
10. Culture/Policy/Institutions
11. Negotiating Literatures in Contiguity: France Daigle in/and Québec 95
12. A Lack of Public Memory: A Public Memory of Lack 119
13. “The Toil and Spoil of Translation”: A Godardian Reading of the Study-Guide: Discover Canada/Guide d’étude: Découvrir le Canada (2010) 149
14. Notes Toward Thinking Transsexual Institutional Poetics 167
15. Translation/Transculturation
16. Voyage autour de la traduction: The Translator as Writer and Theorist 193
17. Taking Deleuze in the Middle, or Doing Intellectual History by the Letter 211
18. Gail Scott and Barbara Godard on “The Main”: Borders, Sutures, Micro-cosmopolitan Interconnectivity, and Translation Studies 225
19. Public Memory and the Archive
20. Linked Histories and Radio-Activity in Marie Clements’s Burning Vision 245
21. Memory as Fracture: French Mnemotechniques in the Erasure of the Holocaust 267
22. Gender in the Shaping of Public Memory: Arms (Monumental) for Montreal 287
23. Contested Memories: Canadian Women Writers in and out of the Archive 297
24. In the Stacks of Barbara Godard, or Do Not Confuse the Complexity of This Moment with Chaos 325
25. Contributors 339
26. Index 347
27. Books in the TransCanada Series 364