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Chapter 5 Narrative Transmission in American Direct Cinema Films and Canadian Candid-Eye Films
-
R. Bruce Elder
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Chapters in this book
- Front Matter i
- Contents vii
- Foreword xi
- Preface xiii
- Acknowledgements xvii
- Introduction 1
-
Introduction
- A House Divided 16
- Two Schools of Thought 36
- An Aesthetic of Reconciliation 73
-
Introduction
- The Documentary Film in Canada 89
- Narrative Transmission in American Direct Cinema Films and Canadian Candid-Eye Films 120
- The Reality Principle: 138
- Modes of Representation in Cinema 154
-
Introduction
- Michael Snow's 188
- From Painting into Cinema: 214
- All Tilings in Their Time: Michael Snow's <—> 243
- The Photographic Image in Canadian Avant-Garde Film 263
- Michael Snow Presents 296
- Idealism, Photography and the Canadian Avant-garde Cinema 329
- Forms of Cinema: Models of Self 368
- Notes 401
- Filmographies 444
- Bibliography 451
- Index 467
Chapters in this book
- Front Matter i
- Contents vii
- Foreword xi
- Preface xiii
- Acknowledgements xvii
- Introduction 1
-
Introduction
- A House Divided 16
- Two Schools of Thought 36
- An Aesthetic of Reconciliation 73
-
Introduction
- The Documentary Film in Canada 89
- Narrative Transmission in American Direct Cinema Films and Canadian Candid-Eye Films 120
- The Reality Principle: 138
- Modes of Representation in Cinema 154
-
Introduction
- Michael Snow's 188
- From Painting into Cinema: 214
- All Tilings in Their Time: Michael Snow's <—> 243
- The Photographic Image in Canadian Avant-Garde Film 263
- Michael Snow Presents 296
- Idealism, Photography and the Canadian Avant-garde Cinema 329
- Forms of Cinema: Models of Self 368
- Notes 401
- Filmographies 444
- Bibliography 451
- Index 467