Chapters in this book

1. Front Matter i
2. Contents vii
3. Foreword xi
4. Preface xiii
5. Acknowledgements xvii
6. Introduction 1
7. Introduction
8. A House Divided 16
9. Two Schools of Thought 36
10. An Aesthetic of Reconciliation 73
11. Introduction
12. The Documentary Film in Canada 89
13. Narrative Transmission in American Direct Cinema Films and Canadian Candid-Eye Films 120
14. The Reality Principle: 138
15. Modes of Representation in Cinema 154
16. Introduction
17. Michael Snow's 188
18. From Painting into Cinema: 214
19. All Tilings in Their Time: Michael Snow's <—> 243
20. The Photographic Image in Canadian Avant-Garde Film 263
21. Michael Snow Presents 296
22. Idealism, Photography and the Canadian Avant-garde Cinema 329
23. Forms of Cinema: Models of Self 368
24. Notes 401
25. Filmographies 444
26. Bibliography 451
27. Index 467