8 Church Polyphony Apropos of a New Fragment at Foligno

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"8 Church Polyphony Apropos of a New Fragment at Foligno". Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays, Cambridge, MA and London, England: Harvard University Press, 1984, pp. 113-125. https://doi.org/10.4159/harvard.9780674863620.c9

(1984). 8 Church Polyphony Apropos of a New Fragment at Foligno. In Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays (pp. 113-125). Cambridge, MA and London, England: Harvard University Press. https://doi.org/10.4159/harvard.9780674863620.c9

1984. 8 Church Polyphony Apropos of a New Fragment at Foligno. Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays. Cambridge, MA and London, England: Harvard University Press, pp. 113-125. https://doi.org/10.4159/harvard.9780674863620.c9

"8 Church Polyphony Apropos of a New Fragment at Foligno" In Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays, 113-125. Cambridge, MA and London, England: Harvard University Press, 1984. https://doi.org/10.4159/harvard.9780674863620.c9

8 Church Polyphony Apropos of a New Fragment at Foligno. In: Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays. Cambridge, MA and London, England: Harvard University Press; 1984. p.113-125. https://doi.org/10.4159/harvard.9780674863620.c9

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Chapters in this book

Frontmatter i
Foreword vii
Preface ix
Contents xiii
1 Musica de sono humano and the Musical Poetics of Guido of Arezzo 1
2 Dante Musicus: Gothicism, Scholasticism, and Music 13
3 Ars Nova and Stil Novo 26
4 Polyphonic Music for a Text Attributed to Frederick II 39
5 New Glimpses of an Unwritten Tradition 51
6 The Oral and Written Traditions of Music 72
7 Music and Cultural Tendencies in Fifteenth-Century Italy 80
8 Church Polyphony Apropos of a New Fragment at Foligno 113
9 Zacara da Teramo 126
10 Ricercare and Variations on Ο Rosa Bella 145
11 Novelty and Renewal in Italy, 1300-1600 159
12 Willaert and the Canzone Villanesca 175
13 Notes on Marenzio and Tasso 198
14 The Orchestra and Stage in Renaissance Intermedi and Early Opera 210
15 Temperaments and Tendencies in the Florentine Camerata 217
16 Monteverdi and the Problems of Opera 235
17 Theater, Sets, and Music in Monteverdi's Operas 254
18 Monteverdi's Poetic Choices 271
19 Early Venetian Libretti at Los Angeles 317
20 The Lame Horse and the Coachman: News of the Operatic Parnassus in 1642 325
21 Falsirena and the Earliest Cavatina 335
22 Commedia dell'Arte and Opera 343
Notes 363
Index 471

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https://doi.org/10.4159/harvard.9780674863620.c9

Chapters in this book

Frontmatter i
Foreword vii
Preface ix
Contents xiii
1 Musica de sono humano and the Musical Poetics of Guido of Arezzo 1
2 Dante Musicus: Gothicism, Scholasticism, and Music 13
3 Ars Nova and Stil Novo 26
4 Polyphonic Music for a Text Attributed to Frederick II 39
5 New Glimpses of an Unwritten Tradition 51
6 The Oral and Written Traditions of Music 72
7 Music and Cultural Tendencies in Fifteenth-Century Italy 80
8 Church Polyphony Apropos of a New Fragment at Foligno 113
9 Zacara da Teramo 126
10 Ricercare and Variations on Ο Rosa Bella 145
11 Novelty and Renewal in Italy, 1300-1600 159
12 Willaert and the Canzone Villanesca 175
13 Notes on Marenzio and Tasso 198
14 The Orchestra and Stage in Renaissance Intermedi and Early Opera 210
15 Temperaments and Tendencies in the Florentine Camerata 217
16 Monteverdi and the Problems of Opera 235
17 Theater, Sets, and Music in Monteverdi's Operas 254
18 Monteverdi's Poetic Choices 271
19 Early Venetian Libretti at Los Angeles 317
20 The Lame Horse and the Coachman: News of the Operatic Parnassus in 1642 325
21 Falsirena and the Earliest Cavatina 335
22 Commedia dell'Arte and Opera 343
Notes 363
Index 471

8 Church Polyphony Apropos of a New Fragment at Foligno

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