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13 Notes on Marenzio and Tasso
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Chapters in this book
- Frontmatter i
- Foreword vii
- Preface ix
- Contents xiii
- 1 Musica de sono humano and the Musical Poetics of Guido of Arezzo 1
- 2 Dante Musicus: Gothicism, Scholasticism, and Music 13
- 3 Ars Nova and Stil Novo 26
- 4 Polyphonic Music for a Text Attributed to Frederick II 39
- 5 New Glimpses of an Unwritten Tradition 51
- 6 The Oral and Written Traditions of Music 72
- 7 Music and Cultural Tendencies in Fifteenth-Century Italy 80
- 8 Church Polyphony Apropos of a New Fragment at Foligno 113
- 9 Zacara da Teramo 126
- 10 Ricercare and Variations on Ο Rosa Bella 145
- 11 Novelty and Renewal in Italy, 1300-1600 159
- 12 Willaert and the Canzone Villanesca 175
- 13 Notes on Marenzio and Tasso 198
- 14 The Orchestra and Stage in Renaissance Intermedi and Early Opera 210
- 15 Temperaments and Tendencies in the Florentine Camerata 217
- 16 Monteverdi and the Problems of Opera 235
- 17 Theater, Sets, and Music in Monteverdi's Operas 254
- 18 Monteverdi's Poetic Choices 271
- 19 Early Venetian Libretti at Los Angeles 317
- 20 The Lame Horse and the Coachman: News of the Operatic Parnassus in 1642 325
- 21 Falsirena and the Earliest Cavatina 335
- 22 Commedia dell'Arte and Opera 343
- Notes 363
- Index 471
Chapters in this book
- Frontmatter i
- Foreword vii
- Preface ix
- Contents xiii
- 1 Musica de sono humano and the Musical Poetics of Guido of Arezzo 1
- 2 Dante Musicus: Gothicism, Scholasticism, and Music 13
- 3 Ars Nova and Stil Novo 26
- 4 Polyphonic Music for a Text Attributed to Frederick II 39
- 5 New Glimpses of an Unwritten Tradition 51
- 6 The Oral and Written Traditions of Music 72
- 7 Music and Cultural Tendencies in Fifteenth-Century Italy 80
- 8 Church Polyphony Apropos of a New Fragment at Foligno 113
- 9 Zacara da Teramo 126
- 10 Ricercare and Variations on Ο Rosa Bella 145
- 11 Novelty and Renewal in Italy, 1300-1600 159
- 12 Willaert and the Canzone Villanesca 175
- 13 Notes on Marenzio and Tasso 198
- 14 The Orchestra and Stage in Renaissance Intermedi and Early Opera 210
- 15 Temperaments and Tendencies in the Florentine Camerata 217
- 16 Monteverdi and the Problems of Opera 235
- 17 Theater, Sets, and Music in Monteverdi's Operas 254
- 18 Monteverdi's Poetic Choices 271
- 19 Early Venetian Libretti at Los Angeles 317
- 20 The Lame Horse and the Coachman: News of the Operatic Parnassus in 1642 325
- 21 Falsirena and the Earliest Cavatina 335
- 22 Commedia dell'Arte and Opera 343
- Notes 363
- Index 471
