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Harvard University Press
Kapitel
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Author’s Note
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Author’s Note ix
- Introduction 1
-
Side A
- 1. Toward a Black Feminist Intellectual Tradition in Sound 65
- 2. “Sister, Can You Line It Out?”: Zora Neale Hurston Notes the Sound 125
- 3. Blues Feminist Lingua Franca: Rosetta Reitz Rewrites the Record 161
- 4. Thrice Militant Music Criticism: Ellen Willis & Lorraine Hansberry’s What Might Be 207
-
Side B
- 5. Not Fade Away: Looking After Geeshie & Elvie / L. V. 271
- 6. “If You Should Lose Me”: Of Trunks & Record Shops & Black Girl Ephemera 310
- 7. “See My Face from the Other Side”: Catching Up with Geeshie and L. V 348
- 8. “Slow Fade to Black”: Black Women Archivists Remix the Sounds 369
- Epilogue: Going to the Territory 432
- Notes 447
- Acknowledgments 561
- Credits 567
- Index 573
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Author’s Note ix
- Introduction 1
-
Side A
- 1. Toward a Black Feminist Intellectual Tradition in Sound 65
- 2. “Sister, Can You Line It Out?”: Zora Neale Hurston Notes the Sound 125
- 3. Blues Feminist Lingua Franca: Rosetta Reitz Rewrites the Record 161
- 4. Thrice Militant Music Criticism: Ellen Willis & Lorraine Hansberry’s What Might Be 207
-
Side B
- 5. Not Fade Away: Looking After Geeshie & Elvie / L. V. 271
- 6. “If You Should Lose Me”: Of Trunks & Record Shops & Black Girl Ephemera 310
- 7. “See My Face from the Other Side”: Catching Up with Geeshie and L. V 348
- 8. “Slow Fade to Black”: Black Women Archivists Remix the Sounds 369
- Epilogue: Going to the Territory 432
- Notes 447
- Acknowledgments 561
- Credits 567
- Index 573