Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
2 • CINEMATIC “PERVERSIONS” Tonal Shifts, Visual Gags, and Techniques of Defamiliarization
-
Nam Lee
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS ix
- ILLUSTRATIONS xi
- PREFACE xiii
- INTRODUCTION 1
- 1 • A NEW CULTURAL GENERATION 14
- 2 • CINEMATIC “PERVERSIONS” Tonal Shifts, Visual Gags, and Techniques of Defamiliarization 39
- 3 • SOCIAL PUJORIS AND THE “NARRATIVES OF FAILURE” Transnational Genre and Local Politics in Memories of Murder and The Host 63
- 4 • MONSTERS WITHIN Moral Ambiguity and Anomie in Barking Dogs Never Bite and Mother 90
- 5 • BEYOND THE LOCAL Global Politics and Neoliberal Capitalism in Snowpiercer and Okja 115
- CONCLUSION Parasite—A New Beginning? 139
- FILMOGRAPHY 153
- NOTES 173
- BIBLIOGRAPHY 191
- INDEX 201
- ABOUT THE AUTHOR 207
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS ix
- ILLUSTRATIONS xi
- PREFACE xiii
- INTRODUCTION 1
- 1 • A NEW CULTURAL GENERATION 14
- 2 • CINEMATIC “PERVERSIONS” Tonal Shifts, Visual Gags, and Techniques of Defamiliarization 39
- 3 • SOCIAL PUJORIS AND THE “NARRATIVES OF FAILURE” Transnational Genre and Local Politics in Memories of Murder and The Host 63
- 4 • MONSTERS WITHIN Moral Ambiguity and Anomie in Barking Dogs Never Bite and Mother 90
- 5 • BEYOND THE LOCAL Global Politics and Neoliberal Capitalism in Snowpiercer and Okja 115
- CONCLUSION Parasite—A New Beginning? 139
- FILMOGRAPHY 153
- NOTES 173
- BIBLIOGRAPHY 191
- INDEX 201
- ABOUT THE AUTHOR 207
