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12. Vulnerabilities: Consent with Pfizer, Marx, and Hobbes
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Matthias Rudolf
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- Fine Print: A Foreword ix
- Introduction: The Subject of Consent 1
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Part I: Consent, Power, and Agency
- 1. Consent, Command, Confession 11
- 2. The Gender of Consent in Patmore, Hopkins, and Marie Lataste 27
- 3. Consensual Sex, Consensual Text: Law, Literature, and the Production of the Consenting Subject 44
- 4. Consent and the Limits of Abuse in Their Eyes Were Watching God and “Ain’t Nobody’s Business If I Do” 63
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Part II: Consent, Violence, and Refusal
- 5. The Seduction of Rape as Allegory in Postcolonial Literature 83
- 6. Willful Creatures: Consent, Discord, Animal Will, and Thomas Hardy’s Tess of the d’Urbervilles 100
- 7. Consenting to Read: Trigger Warnings and Textual Violence 116
- 8. Ambivalent Desires: Blue Is the Warmest Color, Luce Irigaray, and the Question of Consent 136
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Part III: Consent, Personhood, and Property
- 9. The Art of Consent 155
- 10. Sardanapalus’s Hoard: Queer Possession in Henry James’s The Aspern Papers 172
- 11. Queering and Quartering Informed Consent: Genomic Medicine and Hyperreal Subjectivity 189
- 12. Vulnerabilities: Consent with Pfizer, Marx, and Hobbes 205
- 13. “I Never Heard Anything So Monstrous!”: Developmental Psychology, Narrative Form, and the Age of Consent in What Maisie Knew 222
- Notes on Contributors 239
- Index 243
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- Fine Print: A Foreword ix
- Introduction: The Subject of Consent 1
-
Part I: Consent, Power, and Agency
- 1. Consent, Command, Confession 11
- 2. The Gender of Consent in Patmore, Hopkins, and Marie Lataste 27
- 3. Consensual Sex, Consensual Text: Law, Literature, and the Production of the Consenting Subject 44
- 4. Consent and the Limits of Abuse in Their Eyes Were Watching God and “Ain’t Nobody’s Business If I Do” 63
-
Part II: Consent, Violence, and Refusal
- 5. The Seduction of Rape as Allegory in Postcolonial Literature 83
- 6. Willful Creatures: Consent, Discord, Animal Will, and Thomas Hardy’s Tess of the d’Urbervilles 100
- 7. Consenting to Read: Trigger Warnings and Textual Violence 116
- 8. Ambivalent Desires: Blue Is the Warmest Color, Luce Irigaray, and the Question of Consent 136
-
Part III: Consent, Personhood, and Property
- 9. The Art of Consent 155
- 10. Sardanapalus’s Hoard: Queer Possession in Henry James’s The Aspern Papers 172
- 11. Queering and Quartering Informed Consent: Genomic Medicine and Hyperreal Subjectivity 189
- 12. Vulnerabilities: Consent with Pfizer, Marx, and Hobbes 205
- 13. “I Never Heard Anything So Monstrous!”: Developmental Psychology, Narrative Form, and the Age of Consent in What Maisie Knew 222
- Notes on Contributors 239
- Index 243