Presented to you through Paradigm Publishing Services
Rutgers University Press
Chapter
Licensed
Unlicensed
Requires Authentication
Notes
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
- 1. Acting through Machines: Fidelity and Expression from Cameras to Mo-Cap 18
- 2. Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement 43
- 3. In Another’s Skin: Typecasting, Identity, and the Limits of Proteanism 70
- 4. Double Trouble: Authenticity, Fakery, and Concealed Performance Labor 99
- 5. Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles 128
- 6. There Is No There There: Making Believe in Composite Screen Space 154
- Conclusion 184
- Acknowledgments 195
- Notes 197
- Index 223
Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
- 1. Acting through Machines: Fidelity and Expression from Cameras to Mo-Cap 18
- 2. Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement 43
- 3. In Another’s Skin: Typecasting, Identity, and the Limits of Proteanism 70
- 4. Double Trouble: Authenticity, Fakery, and Concealed Performance Labor 99
- 5. Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles 128
- 6. There Is No There There: Making Believe in Composite Screen Space 154
- Conclusion 184
- Acknowledgments 195
- Notes 197
- Index 223