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2. Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement
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Lisa Bode
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Introduction 1
- 1. Acting through Machines: Fidelity and Expression from Cameras to Mo-Cap 18
- 2. Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement 43
- 3. In Another’s Skin: Typecasting, Identity, and the Limits of Proteanism 70
- 4. Double Trouble: Authenticity, Fakery, and Concealed Performance Labor 99
- 5. Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles 128
- 6. There Is No There There: Making Believe in Composite Screen Space 154
- Conclusion 184
- Acknowledgments 195
- Notes 197
- Index 223
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Introduction 1
- 1. Acting through Machines: Fidelity and Expression from Cameras to Mo-Cap 18
- 2. Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement 43
- 3. In Another’s Skin: Typecasting, Identity, and the Limits of Proteanism 70
- 4. Double Trouble: Authenticity, Fakery, and Concealed Performance Labor 99
- 5. Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles 128
- 6. There Is No There There: Making Believe in Composite Screen Space 154
- Conclusion 184
- Acknowledgments 195
- Notes 197
- Index 223