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3. Theory: Adorno and Rancière (Abstraction, Modernism, Gender, Sexuality)
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Catherine Gunther Kodat
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
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Part I. Rethinking Cold War Culture
- 1. Combat Cultural 1
- 2. History: From the WPA to the NEA (through the CIA) 15
- 3. Theory: Adorno and Rancière (Abstraction, Modernism, Gender, Sexuality) 34
- 4. Dancing: “Don’t Act, Just Dance” 59
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Part II. Rereading Cold War Culture
- 5. Figures in the Carpet: Balanchine, Cunningham, “Persia” 71
- 6. Spartacus 125
- 7. From Art As Diplomacy to Diplomacy As Art: The Red Detachment of Nixon in China 151
- Notes 159
- Bibliography 187
- Index 203
- About the Author 211
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
-
Part I. Rethinking Cold War Culture
- 1. Combat Cultural 1
- 2. History: From the WPA to the NEA (through the CIA) 15
- 3. Theory: Adorno and Rancière (Abstraction, Modernism, Gender, Sexuality) 34
- 4. Dancing: “Don’t Act, Just Dance” 59
-
Part II. Rereading Cold War Culture
- 5. Figures in the Carpet: Balanchine, Cunningham, “Persia” 71
- 6. Spartacus 125
- 7. From Art As Diplomacy to Diplomacy As Art: The Red Detachment of Nixon in China 151
- Notes 159
- Bibliography 187
- Index 203
- About the Author 211