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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- Introduction: Stardom in the 1910s 1
- 1. G. M.Anderson: “Broncho Billy” among the Early “Picture Personalities” 22
- 2. Mary Pickford: Icon of Stardom 43
- 3. Lillian Gish: Clean, and White, and Pure as the Lily 69
- 4. Sessue Hayakawa:The Mirror, the Racialized Body, and Photogénie 91
- 5. Theda Bara: Orientalism, Sexual Anarchy, and the Jewish Star 113
- 6. Geraldine Farrar: A Star from Another Medium 137
- 7. George Beban: Character of the Picturesque 155
- 8. Pearl White and Grace Cunard:The Serial Queen’s Volatile Present 174
- 9. Roscoe “Fatty” Arbuckle: Comedy’s Starring Scapegoat 196
- 10. Douglas Fairbanks: Icon of Americanism 218
- 11. Charles Chaplin:The Object Life of Mass Culture 242
- In the Wings 264
- Works Cited 269
- Contributors 279
- Index 283
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- Introduction: Stardom in the 1910s 1
- 1. G. M.Anderson: “Broncho Billy” among the Early “Picture Personalities” 22
- 2. Mary Pickford: Icon of Stardom 43
- 3. Lillian Gish: Clean, and White, and Pure as the Lily 69
- 4. Sessue Hayakawa:The Mirror, the Racialized Body, and Photogénie 91
- 5. Theda Bara: Orientalism, Sexual Anarchy, and the Jewish Star 113
- 6. Geraldine Farrar: A Star from Another Medium 137
- 7. George Beban: Character of the Picturesque 155
- 8. Pearl White and Grace Cunard:The Serial Queen’s Volatile Present 174
- 9. Roscoe “Fatty” Arbuckle: Comedy’s Starring Scapegoat 196
- 10. Douglas Fairbanks: Icon of Americanism 218
- 11. Charles Chaplin:The Object Life of Mass Culture 242
- In the Wings 264
- Works Cited 269
- Contributors 279
- Index 283