Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
5. The Human-Animal Boundary, Italian Style: Kafka’s Red Peter in Conversation with Svevo’s Argo, Morante’s Bella, and Landolfi’s Tombo
-
Saskia Elizabeth Ziolkowski
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Kafka, World Literature, and the Italian Literary Landscape 1
- 1. Amerika in Italy: Kafka’s Realism, Pavese, and Calvino 32
- 2. Dreams of Short Fiction after Kafka: Lalla Romano, Giorgio Manganelli, and Antonio Tabucchi 80
- 3. Processi without End: The Mysteries of Dino Buzzati and Paola Capriolo 126
- 4. Kafka’s Parental Bonds: The Family as Institution in Italian Literature 171
- 5. The Human-Animal Boundary, Italian Style: Kafka’s Red Peter in Conversation with Svevo’s Argo, Morante’s Bella, and Landolfi’s Tombo 212
- Epilogue: Calvino’s Kafka and Kafka’s Italy 249
- Works Cited 257
- Index 293
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Kafka, World Literature, and the Italian Literary Landscape 1
- 1. Amerika in Italy: Kafka’s Realism, Pavese, and Calvino 32
- 2. Dreams of Short Fiction after Kafka: Lalla Romano, Giorgio Manganelli, and Antonio Tabucchi 80
- 3. Processi without End: The Mysteries of Dino Buzzati and Paola Capriolo 126
- 4. Kafka’s Parental Bonds: The Family as Institution in Italian Literature 171
- 5. The Human-Animal Boundary, Italian Style: Kafka’s Red Peter in Conversation with Svevo’s Argo, Morante’s Bella, and Landolfi’s Tombo 212
- Epilogue: Calvino’s Kafka and Kafka’s Italy 249
- Works Cited 257
- Index 293