TORONTO IBERIC

Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. List of Illustrations ix
4. Acknowledgments xi
5. 1. Introduction: On Forewords and Historical Ghosts 1
6. Part One - Exiles in Literary History
7. 2. Re-Engaging with Ghosts in the Poetic Machine 29
8. 3. Writing the War, Re-Writing the Nation, Embodying the Voice of the People 47
9. Part Two - Exiles in Poetic Memory
10. 4. Juan Ramón Jiménez: “Photography Is Death Itself ” − Visionary Poetics, Ruins, and the Testimony of Antonio Machado 75
11. 5. Luis Cernuda: “Remember Him and Remember Him to Others” − Historical Memory, Self-Elegy, and Mythopoetic Figuration 105
12. 6. Max Aub 132
13. 7. Tomás Segovia: “In Exile from Exile” − Nomadic Ethics and the Broken Language of Ghosts 192
14. CODA: Antonio Machado’s Afterlives and Memories of Spanish Literary History 217
15. Notes 243
16. Works Cited 307
17. Index 339
18. TORONTO IBERIC 371