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CODA: Antonio Machado’s Afterlives and Memories of Spanish Literary History
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Daniel Aguirre-Otezia
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- 1. Introduction: On Forewords and Historical Ghosts 1
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Part One - Exiles in Literary History
- 2. Re-Engaging with Ghosts in the Poetic Machine 29
- 3. Writing the War, Re-Writing the Nation, Embodying the Voice of the People 47
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Part Two - Exiles in Poetic Memory
- 4. Juan Ramón Jiménez: “Photography Is Death Itself ” − Visionary Poetics, Ruins, and the Testimony of Antonio Machado 75
- 5. Luis Cernuda: “Remember Him and Remember Him to Others” − Historical Memory, Self-Elegy, and Mythopoetic Figuration 105
- 6. Max Aub 132
- 7. Tomás Segovia: “In Exile from Exile” − Nomadic Ethics and the Broken Language of Ghosts 192
- CODA: Antonio Machado’s Afterlives and Memories of Spanish Literary History 217
- Notes 243
- Works Cited 307
- Index 339
- TORONTO IBERIC 371
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- 1. Introduction: On Forewords and Historical Ghosts 1
-
Part One - Exiles in Literary History
- 2. Re-Engaging with Ghosts in the Poetic Machine 29
- 3. Writing the War, Re-Writing the Nation, Embodying the Voice of the People 47
-
Part Two - Exiles in Poetic Memory
- 4. Juan Ramón Jiménez: “Photography Is Death Itself ” − Visionary Poetics, Ruins, and the Testimony of Antonio Machado 75
- 5. Luis Cernuda: “Remember Him and Remember Him to Others” − Historical Memory, Self-Elegy, and Mythopoetic Figuration 105
- 6. Max Aub 132
- 7. Tomás Segovia: “In Exile from Exile” − Nomadic Ethics and the Broken Language of Ghosts 192
- CODA: Antonio Machado’s Afterlives and Memories of Spanish Literary History 217
- Notes 243
- Works Cited 307
- Index 339
- TORONTO IBERIC 371