Acknowledgments

Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Introduction: Italy, Secularization, and the Post-Secular 1
5. 1. The Space for Religious Filmmaking: Policy and Infrastructures 23
6. 2. The Persistence of Religion on Screen: Icons, Rituals, and the Arts 47
7. 3. Countercultural Catholic Values in the Public Sphere 65
8. 4. Protest in the Public Sphere: The Shifting Line between Religious and Secular Space 87
9. 5. Voicing the Religious Other: Assimilation, Horror, Resolution 115
10. Conclusion: Seeing Is Believing – Italian Filmmaking Looks Post-Secularism in the Eye 137
11. References 153
12. Filmography 169
13. Index 175