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I. Introduction
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Figures xi
- Acknowledgments xv
- Note on the Translation and Transliteration of Terms xix
- Introduction 3
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1 Performing Protest: Sexual Dissent Reinvented
- I. Introduction 27
- II. Protest after 2004: Beyond Orange 32
- III. Archetype and Caricature: The Prostitute 46
- IV. The Mass Subject and the Public Sphere 63
- V. East/West Cultural Stereotypes: A Parody of Media Consumption 69
- VI. Conclusion: Double Parody 73
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2 An Anatomy of Activism: Virtual Body Rhetoric in Digital Protest Texts
- I. Introduction 76
- II. Internationalization: The State and Pussy Riot 81
- III. The Body and the Information Commodity 89
- IV. Rhetorical Scripts 104
- V. Representation and Circulation 110
- VI. Critical Receptions: “Dissidence” East/West 120
- VII. Conclusion 122
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3 The Image Is the Frame: Photography and the Feminist Collective Ofenzywa
- I. Introduction 127
- II. The Many Faces of March 8: The State and “The Woman Question” 132
- III. Rhetorical Contexts 142
- IV. Time in the Photo Series 32 Gogol St. 146
- V. 32 Gogol St. as Allegory 159
- VI. Depictions of Home: A Room of One’s Own 176
- VII. Resignifying Gender in Kyiv’s Urban Environment 184
- VIII. Conclusion: Ethics and Competing Rhetorics 188
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4 Museum of Congresses: Biopolitics and the Self in Kyiv’s HudRada and REP Visual Art Collectives
- I. Introduction 193
- II. Art and the State 199
- III. Censorship and Negative Space 204
- IV. Inside the Assembly: Marginality in Draftsmen’s Congress 215
- V. Biopolitics in Disputed Territory 230
- VI. Conclusion: The Politics of Display 240
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5 Bad Myth: Picturing Intergenerational Experiences of Revolution and War
- I. Introduction 243
- II. Urban Space as Medium for Aesthetic Experiment 248
- III. Nonconformist Women – an Unofficial Archive 261
- IV. Decolonizing Political Creativity 274
- V. Conclusion: The Interrevolutionary Generation 281
- Conclusion 287
- Notes 299
- Bibliography 351
- Index 381
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Figures xi
- Acknowledgments xv
- Note on the Translation and Transliteration of Terms xix
- Introduction 3
-
1 Performing Protest: Sexual Dissent Reinvented
- I. Introduction 27
- II. Protest after 2004: Beyond Orange 32
- III. Archetype and Caricature: The Prostitute 46
- IV. The Mass Subject and the Public Sphere 63
- V. East/West Cultural Stereotypes: A Parody of Media Consumption 69
- VI. Conclusion: Double Parody 73
-
2 An Anatomy of Activism: Virtual Body Rhetoric in Digital Protest Texts
- I. Introduction 76
- II. Internationalization: The State and Pussy Riot 81
- III. The Body and the Information Commodity 89
- IV. Rhetorical Scripts 104
- V. Representation and Circulation 110
- VI. Critical Receptions: “Dissidence” East/West 120
- VII. Conclusion 122
-
3 The Image Is the Frame: Photography and the Feminist Collective Ofenzywa
- I. Introduction 127
- II. The Many Faces of March 8: The State and “The Woman Question” 132
- III. Rhetorical Contexts 142
- IV. Time in the Photo Series 32 Gogol St. 146
- V. 32 Gogol St. as Allegory 159
- VI. Depictions of Home: A Room of One’s Own 176
- VII. Resignifying Gender in Kyiv’s Urban Environment 184
- VIII. Conclusion: Ethics and Competing Rhetorics 188
-
4 Museum of Congresses: Biopolitics and the Self in Kyiv’s HudRada and REP Visual Art Collectives
- I. Introduction 193
- II. Art and the State 199
- III. Censorship and Negative Space 204
- IV. Inside the Assembly: Marginality in Draftsmen’s Congress 215
- V. Biopolitics in Disputed Territory 230
- VI. Conclusion: The Politics of Display 240
-
5 Bad Myth: Picturing Intergenerational Experiences of Revolution and War
- I. Introduction 243
- II. Urban Space as Medium for Aesthetic Experiment 248
- III. Nonconformist Women – an Unofficial Archive 261
- IV. Decolonizing Political Creativity 274
- V. Conclusion: The Interrevolutionary Generation 281
- Conclusion 287
- Notes 299
- Bibliography 351
- Index 381