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"Introduction". Vittorio De Sica: Contemporary Perspectives, edited by Howard Curle and Stephen Snyder, Toronto: University of Toronto Press, 2000, pp. 1-21. https://doi.org/10.3138/9781442683136-003

(2000). Introduction. In H. Curle & S. Snyder (Ed.), Vittorio De Sica: Contemporary Perspectives (pp. 1-21). Toronto: University of Toronto Press. https://doi.org/10.3138/9781442683136-003

2000. Introduction. In: Curle, H. and Snyder, S. ed. Vittorio De Sica: Contemporary Perspectives. Toronto: University of Toronto Press, pp. 1-21. https://doi.org/10.3138/9781442683136-003

"Introduction" In Vittorio De Sica: Contemporary Perspectives edited by Howard Curle and Stephen Snyder, 1-21. Toronto: University of Toronto Press, 2000. https://doi.org/10.3138/9781442683136-003

Introduction. In: Curle H, Snyder S (ed.) Vittorio De Sica: Contemporary Perspectives. Toronto: University of Toronto Press; 2000. p.1-21. https://doi.org/10.3138/9781442683136-003

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Kapitel in diesem Buch

Frontmatter i
Contents v
Acknowledgments ix
A Note on Film Documentation and Photographs x
Introduction 1
De Sica on De Sica 22
Some Ideas on the Cinema 50
De Sica: Metteur en Scene 62
Umberto D. and Realism 77
Beyond the Movement-Image 81
Ideological Continuity and Cultural Coherence 86
Remembrance of Things Past 94
On a Train to the Kingdom of Earth: Watching De Sica’s Children 101
Shoeshine 126
The Art of Shoeshine 129
Holding Hands with a Bicycle Thief 137
Bicycle Thieves: A Re-reading 160
Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan 172
Appendix: Reflections on Miracle in Milan 179
Miracle in Milan: Some Psychoanalytic Notes on a Movie 181
Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City 189
Umberto D.: Vittorio De Sica’s ‚Super‘-Naturalism 198
The Subversive Potential of the Pseudo-Iterative 204
A Home in the Ditch of Saint Agnes: De Sica’s The Roof 210
The Case of De Sica 220
Hiding in the Light: De Sica’s Work in the 19605 226
In Love and War: Vittorio De Sica’s Two Women 242
De Sica’s Garden of the Finzi-Continis: An Escapist Paradise Lost 258
The Magic Mountain 280
Filmography 284

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https://doi.org/10.3138/9781442683136-003

Kapitel in diesem Buch

Frontmatter i
Contents v
Acknowledgments ix
A Note on Film Documentation and Photographs x
Introduction 1
De Sica on De Sica 22
Some Ideas on the Cinema 50
De Sica: Metteur en Scene 62
Umberto D. and Realism 77
Beyond the Movement-Image 81
Ideological Continuity and Cultural Coherence 86
Remembrance of Things Past 94
On a Train to the Kingdom of Earth: Watching De Sica’s Children 101
Shoeshine 126
The Art of Shoeshine 129
Holding Hands with a Bicycle Thief 137
Bicycle Thieves: A Re-reading 160
Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan 172
Appendix: Reflections on Miracle in Milan 179
Miracle in Milan: Some Psychoanalytic Notes on a Movie 181
Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City 189
Umberto D.: Vittorio De Sica’s ‚Super‘-Naturalism 198
The Subversive Potential of the Pseudo-Iterative 204
A Home in the Ditch of Saint Agnes: De Sica’s The Roof 210
The Case of De Sica 220
Hiding in the Light: De Sica’s Work in the 19605 226
In Love and War: Vittorio De Sica’s Two Women 242
De Sica’s Garden of the Finzi-Continis: An Escapist Paradise Lost 258
The Magic Mountain 280
Filmography 284

Introduction

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