Introduction

Home Arts Introduction

Chapter

Licensed

Unlicensed Requires Authentication

Introduction

Published by

View more publications by University of Toronto Press

To Publisher Page

This chapter is in the book Vittorio De Sica

MLA
APA
Harvard
Chicago
Vancouver

MLA
APA
Harvard
Chicago
Vancouver

"Introduction". Vittorio De Sica: Contemporary Perspectives, edited by Howard Curle and Stephen Snyder, Toronto: University of Toronto Press, 2000, pp. 1-21. https://doi.org/10.3138/9781442683136-003

(2000). Introduction. In H. Curle & S. Snyder (Ed.), Vittorio De Sica: Contemporary Perspectives (pp. 1-21). Toronto: University of Toronto Press. https://doi.org/10.3138/9781442683136-003

2000. Introduction. In: Curle, H. and Snyder, S. ed. Vittorio De Sica: Contemporary Perspectives. Toronto: University of Toronto Press, pp. 1-21. https://doi.org/10.3138/9781442683136-003

"Introduction" In Vittorio De Sica: Contemporary Perspectives edited by Howard Curle and Stephen Snyder, 1-21. Toronto: University of Toronto Press, 2000. https://doi.org/10.3138/9781442683136-003

Introduction. In: Curle H, Snyder S (ed.) Vittorio De Sica: Contemporary Perspectives. Toronto: University of Toronto Press; 2000. p.1-21. https://doi.org/10.3138/9781442683136-003

Copy

Copied to clipboard

BibTeX EndNote RIS

You are currently not able to access this content.

Chapters in this book

Frontmatter i
Contents v
Acknowledgments ix
A Note on Film Documentation and Photographs x
Introduction 1
De Sica on De Sica 22
Some Ideas on the Cinema 50
De Sica: Metteur en Scene 62
Umberto D. and Realism 77
Beyond the Movement-Image 81
Ideological Continuity and Cultural Coherence 86
Remembrance of Things Past 94
On a Train to the Kingdom of Earth: Watching De Sica’s Children 101
Shoeshine 126
The Art of Shoeshine 129
Holding Hands with a Bicycle Thief 137
Bicycle Thieves: A Re-reading 160
Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan 172
Appendix: Reflections on Miracle in Milan 179
Miracle in Milan: Some Psychoanalytic Notes on a Movie 181
Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City 189
Umberto D.: Vittorio De Sica’s ‚Super‘-Naturalism 198
The Subversive Potential of the Pseudo-Iterative 204
A Home in the Ditch of Saint Agnes: De Sica’s The Roof 210
The Case of De Sica 220
Hiding in the Light: De Sica’s Work in the 19605 226
In Love and War: Vittorio De Sica’s Two Women 242
De Sica’s Garden of the Finzi-Continis: An Escapist Paradise Lost 258
The Magic Mountain 280
Filmography 284

Search book Search the content of this book

https://doi.org/10.3138/9781442683136-003

Chapters in this book

Frontmatter i
Contents v
Acknowledgments ix
A Note on Film Documentation and Photographs x
Introduction 1
De Sica on De Sica 22
Some Ideas on the Cinema 50
De Sica: Metteur en Scene 62
Umberto D. and Realism 77
Beyond the Movement-Image 81
Ideological Continuity and Cultural Coherence 86
Remembrance of Things Past 94
On a Train to the Kingdom of Earth: Watching De Sica’s Children 101
Shoeshine 126
The Art of Shoeshine 129
Holding Hands with a Bicycle Thief 137
Bicycle Thieves: A Re-reading 160
Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan 172
Appendix: Reflections on Miracle in Milan 179
Miracle in Milan: Some Psychoanalytic Notes on a Movie 181
Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City 189
Umberto D.: Vittorio De Sica’s ‚Super‘-Naturalism 198
The Subversive Potential of the Pseudo-Iterative 204
A Home in the Ditch of Saint Agnes: De Sica’s The Roof 210
The Case of De Sica 220
Hiding in the Light: De Sica’s Work in the 19605 226
In Love and War: Vittorio De Sica’s Two Women 242
De Sica’s Garden of the Finzi-Continis: An Escapist Paradise Lost 258
The Magic Mountain 280
Filmography 284

Introduction

Chapter PDF View

Chapters in this book

Chapters in this book

Chapters in this book